Latino Teen

Jean-Marie Delacroix recopila en esta obra las experiencias, vivencias y aprendizajes de su interacción con tradiciones terapéuticas de América Latina y de otras latitudes del mundo; sin duda alguna, uno de los primeros textos de índole clínico que explica cómo podemos utilizar el enfoque de la plena consciencia (mindfulness) en el proceso terapéutico. En este nuevo libro, Delacroix desarrolla las nociones de postura meditativa y de meditación intersubjetiva como maneras de introducir la atención plena en la relación paciente-psicoterapeuta.

In her debut for younger listeners, Aya de León pits a teen spy against the ominous workings of a white nationalist. Fourteen-year-old Andréa Hernández-Baldoquín hails from a family of spies working for the Factory, an international organization dedicated to protecting people of color.

Alex Clarademont-Díaz, el hijo millennial de la presidenta de los Estados Unidos, es un tesoro para el marketing de la Casa Blanca: atractivo, carismático e inteligente. Lo que nadie sabe es que no soporta al príncipe Henry, el hijo de la reina de Inglaterra. Así que, cuando la prensa sensacionalista se hace con una fotografía que refleja un altercado entre Alex y Henry, las relaciones entre Estados Unidos y el Reino Unido se enfrían.

In 2004, four Latino teenagers arrived at the Marine Advanced Technology Education Robotics Competition at the University of California, Santa Barbara. They were born in Mexico but raised in Phoenix, Arizona, where they attended an underfunded public high school. No one had ever suggested to Oscar, Cristian, Luis, or Lorenzo that they might amount to much—but two inspiring science teachers had convinced these impoverished, undocumented kids from the desert who had never even seen the ocean that they should try to build an underwater robot.

This cross-genre anthology written by superstar YA authors from across the Latin American diaspora offers bold new thrills for every monster fan. In these fifteen original short stories, bloodthirsty vampires are hunted by a quick-witted slayer; children are taken from their beds by “el Viejo de la Bolsa” while a military dictator steals their parents; and anyone you love might be a monster waiting to strike. The sinister worlds of these narratives are also magical ones, where supernatural beings can be avatars for justice, vengeance, sisterhood, and empowerment.

For this striking, stripped-down account of youth immigration, Villalobos interviewed teens at various stages of the immigration process to illustrate their stories - the physical and emotional difficulties of their travels. He then changed certain elements of these stories in order to protect the children's identities. Each chapter brings forth the voice of one young immigrant's experience, from crossing the Mexican desert to gang violence to the freezers at ICE detention centers.

The crowd sways to the melodic strumming of a bossa nova guitarist. A vocalist belts out lyrics that blend English and Spanish. These are the sounds of Latin music. Before Latin music exploded into the mainstream in the 1990s, it was on the sidelines of American pop. Ritchie Valens fused Latin dance music with rock. Julio Iglesias popularized Latin ballads in the United States. And Gloria Estefan was the first crossover artist. But after Ricky Martin's "Livin' la Vida Loca" exploded onto the pop scene in 1999, Latin music took center stage.

How dare she! I was about to graduate from high school and here she comes. Que Verguenza! I'd never been so embarrassed in my life. She was an Indian, and since she was my mother, that meant...oh no, I couldn't bear to think about it. She looked like a bubble gum machine on the blink. How would I get through this summer? It would certainly be my summer of dolores.