Indigenous Fiction

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge.

Welcome to Anoka, Minnesota, a small city just outside of the Twin Cities dubbed “The Halloween Capital of the World” since 1937. Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives.

Mashkawaji (they/them) lies frozen in the ice, remembering the sharpness of unmuted feeling from long ago, finding freedom and solace in isolated suspension. They introduce the seven characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman, their conscience; Sabe, a gentle giant, their marrow; Adik, the caribou, their nervous system; and Asin and Lucy, the humans who represent their eyes, ears, and brain.

Does time heal all wounds? Or do some last forever? Pennsylvania, 1971: Graham Davidson is a young man with survivor’s guilt after the death of three siblings. Estranged from his father and seeking a direction in his life, Graham learns about vision quests from a Crow Indian. He secures seasonal employment in Yellowstone National Park and embarks on a spiritual journey. Wyoming Territory, 1871: Under a full moon at a sacred thermal area, Graham finds himself in Yellowstone a century earlier - one year before it was established as a national park.

Story is told by a narrator who is a psychologist in Indian country. What appears to be a consultation with a patient ends up being a meeting with his teacher, Tarrence. Tarrence proceeds to take the narrator into a dreamtime journey that melts the worldview held by the storyteller. The dream leads the narrator to a place in which the energy generated by ancient dreamers must be balanced. The lack of balance brought on by the power dreamers and their ceremony resulted in the atomic bomb.

American schoolchildren have long been taught that their country was “discovered” by Christopher Columbus in 1492. But the history of Native Americans in the United States goes back tens of tens of thousands of years prior to Columbus’s and other colonizers’ arrivals. So, what’s the true history? Indigenous America introduces and amplifies the oral and written histories that have long been left out of American history books.

Corn. Chocolate. Fishing hooks. Boats that float. Insulated double-walled construction. Recorded history and folklore. Life-saving disinfectant. Forest fire management. Our lives would be unrecognizable without these, and countless other, scientific discoveries and technological inventions from Indigenous North Americans. Spanning topics from transportation to civil engineering, hunting technologies, astronomy, brain surgery, architecture, and agriculture, Indigenous Ingenuity is a wide-ranging STEM offering that answers the call for Indigenous nonfiction by reappropriating hidden history.

These wholly original and shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.

Missing and Murdered Indigenous Women and Girls is relevant in the news today, rightfully so with the staggering statistics of racism, indifference, and the lack of historical pursuit for justice. This novella is fictionalized accounts of what our Native American women and girls lived through and died by the hands of assailants of all backgrounds that think indigenous women are invisible.

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of listeners, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

Winter’s Gifts is the tale of a young Potawatomi girl named Dani whose family celebrates the darkest season of the year by treasuring the slowness that winter brings. Dani’s schoolmates think it’s silly to think that Earth gives us presents, but on a magical snowy day, her family and Creator give Dani the courage to teach her friends about the gifts of winter—resting, remembrance, and gratitude. Can Dani help them receive winter’s gifts?

Approached by an ecumenical society representing many faiths, from Judeo-Christians to fellow members of First Nations, Harold R. Johnson agreed to host a group who wanted to hear him speak about the power of storytelling. This book is the outcome of that gathering. In The Power of Story, Johnson explains the role of storytelling in every aspect of human life, from personal identity to history and the social contracts that structure our societies, and illustrates how we can direct its potential to re-create and reform not only our own lives, but the life we share.

What has been lost to history is the spark of wonder when the European met the American for the first time. Zoratama is that glimpse, told in the passion of a conquistador, for an American beauty: the love, the eroticism, the loss, and the tragedy. Jaime Bedoya Martinez’s Zoratama constructs the vision for modern Hispanic society through the eyes and passion of consorts of divergent worlds.

Drawing on the wisdom and personal experience of its esteemed contributors, this first-of-its-kind anthology tackles complex questions of our times to provide a rich tapestry of Indigenous life, past, present, and future. These peace offerings—to settlers, to one another, to listeners—explore the histories that have brought us to this moment, the challenges and crises faced by present-day communities, and the visions that will lead us to a new architecture for thinking about Indigeneity.

An Indigenous boy invites new friends to share in beloved traditions as he celebrates the joy of summer and his love for Earth and Creator in this audiobook that revels in the warmth, light, and fun of the longest days of the year.

A children's audiobook about an Indigenous girl who discovers the miracles that blossom each spring and learns how Creator's gift of courage can transform the way we see the world and ourselves.

Obra surpreendente com as vivências do multiartista e xamã João Irineu França Neto, indígena do Nordeste do Brasil; um audiolivro que pode (e deve) ser ouvido como um romance de auto-ficção. Nele, o autor explora temas como o amor e a sua natureza; vida e morte; a arte; e a natureza em si, sempre com uma reflexão importante sobre a preservação das culturas tradicionais do país, mas também sobre a preservação de todo o planeta.

In this post-apocalyptic world, snow, ice, and death prevail. The remnants of humanity have survived by relearning ancient ways. Some villages cooperate with each other, but there are tribes which have turned to murder and theft to ensure their own success. Three orphaned friends wander alone through this precarious world. Teek, Lance, and Kateesh have all suffered traumatic losses which shattered their faith in their fellow human beings. They are sure that they can count on each other, but that certitude is shaken when violence rages into their lives once again.