This week on Uncolonized, Daniel and Gavin tear into the Royal Ontario Museum, where one of the board’s chairpersons is connected to a company making money off deportations from the U.S. Spoiler: colonial institutions don’t really change — they just rebrand. We also get into Martin Heidegger’s idea of enframing, and how museums, despite all their shiny updates, are still running on the same colonial operating system.

On our Patreon bonus episode patreon.com/theuncolonzed, we break down how the Peterborough mayor thought it was a good idea to use the N-word at a college event — and how boomers are still fumbling around the internet like it's a damn Rubik's Cube.

If you want critical, unapologetic takes on colonialism, racism, and the slow-moving trainwreck of old power structures trying to survive the internet age — hit play.

Want the real unfiltered shit? Subscribe to our Patreon for bonus episodes that pull no punches: patreon.com/theuncolonzed"

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This week on Uncolonized, Gavin Stephens and Daniel Grant dive into the media’s favorite zombie narrative: the “silent majority.” Every election cycle, pundits and pollsters act like it’s a shocking new revelation—but this trope is as old as Nixon. We unpack the latest reincarnation of it, featuring the supposed shift of white male Gen Z voters to the right, particularly towards Trump. Are they really shifting—or just revealing who they’ve always been?

Plus, in our Patreon-exclusive episode, we get into a viral story about a woman who dated a string of far-right men. What she discovered about their views, emotional development, and how they perform masculinity says a lot about the culture we’re in.

👉 Watch the episode here: https://www.youtube.com/watch?v=92iotrec96g

👉 Get the full uncensored conversation on Patreon: patreon.com/theuncolonized

Topics covered include:

• The myth of the centrist Gen Z white male voter
• Political amnesia in mainstream media
• Why the “silent majority” narrative is a smokescreen
• Insights from dating the far-right
• Emotional repression and conservative identity

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This week, Daniel and Gavin dissect Bong Joon Ho’s Mickey 17, using Pierre Bourdieu’s theory of cultural capital to examine who gets to be seen as an “auteur” in the public imagination — and who doesn’t. We explore how race, class, and symbolic capital shape legitimacy in the film world, questioning why specific creators are celebrated as geniuses while others are sidelined, regardless of the quality of their work.

Through Bourdieu’s lens, we look at the cinematic “field” as a battleground, where recognition isn’t just about talent — it’s about access to networks, education, prestige, and whiteness as an unspoken default. Mickey 17 becomes a springboard for unpacking how cultural power is produced and maintained in the West and how directors like Bong Joon Ho disrupt those norms — even while subtly reabsorbed into them.

🎬 Mickey 17 (2025) – Film Details

Director & Writer: Bong Joon Ho

Based on: Mickey7 by Edward Ashton

Cast:

Robert Pattinson

Naomi Ackie

Mark Ruffalo

Toni Collette

Steven Yeun

(Full cast list available above or on IMDb)

Production Companies: Warner Bros. Pictures, Plan B Entertainment

Runtime: 137 minutes

Budget: $118 million

Box Office Gross: $127.3 million

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