Jen Uphoff Gray welcomes Kait Kerrigan and Nathan Tysen, writer and lyricist of Broadway's THE GREAT GATSBY! In this episode, this musical power couple shares their insight into the broken pipeline of musical theater development, which leaves countless new works stuck in limbo. We discuss the roadblocks that prevent fresh stories from reaching American audiences and why regional theaters hesitate to take the leap. But it’s not all bad news - we also explore real solutions for making the pipeline more accessible, sustainable, and artist-friendly. A candid, insightful conversation about the future of musical theater and what it will take to get new voices heard. Bonus:

Kait and Nathan reference the types of grants and financial assistance that keeps many writers afloat while they create America's next musical sensation. Here's a link to the Dramatists Guild resource directory of Grants & Fellowships.

This episode was inspired by a VERY spirited conversation we recently had, centered around a particular play and whether it would be a good choice for a future season. This debate required us to evaluate our relationship with our audiences - how do we meet them where they are, and how do we bring them along with challenging material while creating a welcoming and community-centered environment? As theaters across the country work toward building new audiences, what's the best balance between leading and listening?

*This episode went missing late last year! It is officially Episode 113. Enjoy!

Despite the fact that theater is back to being live and in-person, many theaters (including ours) have discovered great value in offering a streaming option for their productions. As arts companies strive to become more accessible, digital theater has become an oasis for many patrons. In this episode, we revisit this topic that preoccupied the theater world just a few years back. What's happening with digital theater now? Are we using what we learned during COVID, and if so, how?