Tsutomu Miyazaki liked to taunt the parents of his victims with chillingly silent phone calls or postcards containing gloating messages. He left a box on the doorstep of the parents of his first victim, four-year-old Mari Konno. Inside were fragments of charred bone, ten baby teeth and photographs of the clothes their daughter had been wearing the day she disappeared. Typed on a single piece of paper were the chilling words ‘Mari. Bones. Cremated. Investigate. Prove’. He was taunting those searching for him and shattering the lives of those left behind to mourn

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Mullin didn’t fit the killer mold. This clean-cut ex-flower-child looked more like he’d stumble over a peace rally than a murder scene. Cops might’ve sneered at hippies, but they didn’t peg them—or guys like Mullin—for bloody rampages. At first, his calm vibe seemed like he’d play ball. They figured prying answers out of him about that day’s madness would be a breeze. That illusion shattered fast. Mullin bolted up from his chair, barking “Silence!” like some deranged king. It actually worked—the detective froze long enough for Mullin to tilt his head and listen to whatever ghost was whispering in his ear. Inside, Mullin was a mess, a tangle of broken wires and crossed signals. He’d shown a itch to spill his guts before, like when he’d bent Father Henri Tomei’s ear, but it was a messy urge, full of knots. On some faint, flickering level of sense—if you could call it that—he knew he’d been caught with blood on his hands. Jail loomed, and he got that much.

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The blade sliced her open, her flesh separating with a cold precision, skin and fat sliding apart as if they’d been primed to rupture all along. Blood saturated everything—her dress, the grass, his hands, the knife—a predictable mess, though far worse was still to come. He set the knife aside and forced his fingers into the incision, pushing past the spasming muscle that gripped his wrist with the tautness of a worn elastic sheet. Inside, he grasped something solid yet rubbery, with a slight yield to it. He tugged hard, extracting the organ from the abdominal breach he’d carved, its odd, irregular shape further distorted by his clamping hold. It remained connected at both ends to the obscured tangle of organs still housed within her, serving as an initial point for further exploration. Two crude cuts with the knife detached it completely, and it began leaking at once—not blood, but a bitter, foul-smelling substance

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