Tall Poppies The Podcast Podcast Por Breandáin O'Shea arte de portada

Tall Poppies The Podcast

Tall Poppies The Podcast

De: Breandáin O'Shea
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Nicole Kidman, Russell Crowe and Mel Gibson. That Hollywood spotlight ensures that most of us know the name of these celebrity Aussies, but what about those many other Australians who have forged impressive careers around the globe? Artists, academics, sportsmen and women, scientists and no doubt many, many more professions. People like the Melbournian Barrie Kosky, who is today one of the world’s most-celebrated opera directors, conductor Simone Young, who directs international orchestras and Sydney-born singer-songwriter Kat Frankie, a popular performer at top music venues all over Germany. As a journalist working internationally for decades, I’m constantly amazed at the number of Australians – high profile or otherwise – living outside Australia – who have remarkable careers and what’s more, remarkable stories to tell. In Tall Poppies I’ll be sitting down with one of these inspiring Aussies each episode to chat about their work, living abroad and their passage to international success. Of course we will also look at how growing up in Australia influenced them in the past and even today in their work.

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Episodios
  • Barrie Kosky, Stage Director, Full Edition

    Barrie Kosky, Stage Director, Full Edition
    Jan 31 2018

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    There are not many stage directors in the world who, in the space of six months, have directed Wagner’s “Die Meistersinger von Nürnberg,” Debussy’s “Pelléas et Mélisande” and the musical, “Fiddler on the Roof.” But that is exactly how Barrie Kosky spent the second half of 2017. What’s more, this is a typical schedule for the energetic Melburnian.

    For more episodes of Tall Poppies: The Podcast, highlighting remarkable Australians making waves globally, visit https://www.tall-poppies.com/.
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    43 m
  • #02_Barrie Kosky _ Stage Director _Short Edition

    #02_Barrie Kosky _ Stage Director _Short Edition
    Feb 1 2018

    Send us a text

    There are not many stage directors in the world who, in the space of six months, have directed Wagner’s “Die Meistersinger von Nürnberg,” Debussy’s “Pelléas et Mélisande” and the musical, “Fiddler on the Roof.” But that is exactly how Barrie Kosky spent the second half of 2017. What’s more, this is a typical schedule for the energetic Melburnian.

    For more episodes of Tall Poppies: The Podcast, highlighting remarkable Australians making waves globally, visit https://www.tall-poppies.com/.
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    6 m
  • Simone Young - Conductor, Full Edition

    Simone Young - Conductor, Full Edition
    Feb 8 2018

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    There have been many highlights in Simone Young's career. Alongside conducting most of the world’s great orchestras including the London and New York Philharmonic Orchestras, the City of Birmingham Symphony, and the BBC Symphony at the BBC Proms, she was also the first woman to conduct at the Vienna State Opera and the Vienna Philharmonic, two orchestras she regularly returns to conduct today.In 1983, at just 22, Simone Young had already joined the staff of Opera Australia. She studied at Sydney’s Conservatorium of Music prior to taking up her position with AO where she worked as a répétiteur. By 1986, the young Sydneyite was conducting at the Sydney Opera House and appointed a resident conductor with Opera Australia. Simone moved to Germany, where she took up a position assisting James Conlon, the conductor at the Cologne Opera. This led to further engagements, including working alongside the legendary Daniel Barenboim at the Berlin State Opera and the Bayreuth Festival. In 1998 she was appointed principal conductor of the Bergen Philharmonic Orchestra in Norway. But Australia was never far from her sights.In 2000, Simone was given what she terms one of the greatest honours of her career, when she conducted the national anthem at the 2000 Olympic Games in Sydney. Not long afterwards, she returned to take up the position of Music Director with Opera Australia, but despite these three years being an artistically rewarding period, they were turbulent years in her career. In 2005 Simone returned to Europe to direct one of the Germany’s major opera houses, the Hamburg State Opera, and as chief conductor of the city’s philharmonic orchestra, positions she held until 2015.Simone has also been a great mentor for a number of Australian conductors and singers. She says, “I think it is incredibly important for young conductors to see just how tough the working side of this job is. If you don’t want to work hard, don’t choose this profession.”It was, indeed, in the midst of a heavy performance and rehearsal schedule in Berlin that Simone Young joined the Tall Poppies podcast. In this episode, she recalls how her musical education in Australia and her father’s good advice prepared her for an international conducting career. Simone also confides how she plans to tackle the latest position she has added to her illustrious list of honours – that of being the Australian Nana to her two grandchildren.

    For more episodes of Tall Poppies: The Podcast, highlighting remarkable Australians making waves globally, visit https://www.tall-poppies.com/.
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    47 m
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