
Talking to ... Cam Caldwell
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It may be that the world around us is transforming into a vast puzzle, even a Mystery Play. This situation also extends to our professional environment, prompting organizational sociologists to observe a particularly unsettling phenomenon: the silent exodus of the workforce, characterized by a state of inner resignation where employees merely do the minimum while their minds have long since disengaged from producing quality work. Now, Generation Z, a cohort that can no longer imagine a World without the Internet, has surprised organizational sociologists with a behavior that exhibits highly performative traits and has spawned influencers such as the Anti Work Girlboss and a reigning TikTok hype. What is it all about? The underlying question is relatively straightforward. It asks how one can perform a kind of productivity theater for one's employer or coworkers, in which everyone pretends to engage in highly difficult and complicated tasks. The answer is simple: you stare intently at the screen, make audible grunting noises, wander through the company corridors with your laptop open, or engage in loud conversations at the water cooler or coffee machine. In reality, however, it's all about masking your own inactivity – and using quick shortcuts to hide the fact that you're using your working hours to update your dating profile or live feed.
Cam Caldwell, with whom we discussed all these questions, has spent his entire professional career exploring the issue of effective leadership after honing his management skills in a managerial role. In this context, he has also examined the phenomenon of quiet quitting and its various manifestations.
Cam Caldwell earned his PhD in Human Resources and Organizational Behavior from Washington State University, where he was a Thomas S. Foley Graduate Fellow. Prior to earning his PhD, he accumulated over twenty years of experience as a Human Resource Director, City Manager, and Management Consultant. He has authored more than 20 books on management topics.
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