When we think of serial killers, we tend to think of men—Ted Bundy, Jeffrey Dahmer, Jack the Ripper. But in the 1800s, the deadliest killers often wore corsets. In fact, so many women were arrested for serial poisoning that the era became known as the “Golden Age of Arsenic.” Journey back in time to trace the crimes of Lydia Sherman, a Victorian Era femme fatale who left a trail of bodies in her wake. How did she — and women like her — evade capture for so long? And how did their murders help give rise to modern criminal forensics?

Guests:

Kristen Frederick-Frost, curator of science at the Smithsonian's National Museum of American History

Lisa Perrin, author and illustrator of The League of Lady Poisoners

Deborah Blum, author of The Poisoner's Handbook. Director of the Knight Science Journalism Program at MIT.

There was a time, before Neil Armstrong set foot on the moon, when some researchers believed women were better suited for space than men. In 1961, a group of female pilots—today known as the Mercury 13—quietly aced NASA’s toughest astronaut tests, even outperforming the Mercury men in some areas. But with the space race heating up, their mission was grounded— but not by science. But what became of America’s first female astronaut candidates?

Guests:

Margaret Weitekamp, chair of the space history department at the Smithsonian’s National Air and Space Museum, and author of Right Stuff, Wrong Sex: America’s First Women in Space Program andSpace Craze: America’s Enduring Fascination with Real and Imagined Spaceflight

Emily Calandrelli, engineer, author, and TV show host of Emily’s Wonderlab and Xploration Outer Space

Beyoncé is one of the most well-known and appreciated Black women in music today, but to understand her work, we need to look at who came before her and what those women contributed to the story of Black women on stage. In this special guest episode, curator Krystal Klingenberg introduces a new season of Collected, a podcast from the Smithsonian’s National Museum of American History, all about Black women in music.

Guests:

Daphne A. Brooks, PhD., is professor of African American Studies and Music at Yale University. Dr. Brooks most recent books is Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University, February 2021). https://afamstudies.yale.edu/people/daphne-brooks

Margo Jefferson is a Pulitzer Prize-winning critic, and a 2022 recipient of the Windham-Campbell Prize for Nonfiction. Her most recent book is Constructing a Nervous System: a memoir (2022). She is a professor of Professor of Professional Practice at Columbia University. https://arts.columbia.edu/profiles/margo-jefferson

Crystal M. Moten, Ph.D., is a historian who specializes in twentieth century African American Women’s History. In 2023 she published Continually Working: Black Women, Community Intellectualism, and Economic Justice in Postwar Milwaukee. Dr. Moten is the Curator of Collections and Exhibitions at the Obama Presidential Center Museum in Chicago, Illinois and was previously curator at Smithsonian’s National Museum of American History https://www.crystalmoten.com

Dwandalyn R. Reece, Ph.D. is curator of Music and Performing Arts at the Smithsonian Institution’s National Museum of African American History and Culture. Dr. Reece curated the museum’s permanent exhibition, Musical Crossroads, for which she received the Secretary’s Research Prize in 2017. https://music.si.edu/dr-dwandalyn-reece

Fath Davis Ruffins was a Curator of African American History at the Smithsonian’s National Museum of American History (NMAH). She began working at the museum in 1981, and between 1988 and 2005, she was the head of the Collection of Advertising History at the NMAH Archives Center. Ruffins was the original project director of Many Voices, One Nation, an exhibition that opened at NMAH in June 2017. She was leading a museum project on the history and culture of the Low Country region of the Carolinas, Georgia, and Florida. https://profiles.si.edu/display/nruffinsf1102006

Craig Seymour is a writer, photographer, and critic who has written about music, particularly Black music for over two decades. His most recent book is Luther: The Life and Longing of Luther Vandross (HarperCollins, 2004). https://randbeing.com/