"Scene Weekly" - Jonathan and Stephen dive into the gripping and darkly comedic world of Conclave, the papal thriller that feels eerily timely. As cardinals gather in secrecy to elect a new pope, political intrigue, divine ambition, and unexpected twists unfold. Is this the Catholic House of Cards or more of a satirical take on faith and corruption? They’ll break down the film’s tense atmosphere, standout performances, and whether it accidentally predicted current Vatican drama.

"Scene Weekly" - This week, we're plugging quarters into 2015's Pixels - the movie that asks "what if video games attacked Earth?" This movie is a neon-soaked nostalgia grenade that forgets to take itself seriously - and honestly, we're kinda here for it.

This week, your two least-qualified salesmen (and podcast hosts) attempt to always be closing with Glengarry Glen Ross—a movie where men yell about real estate and their own failures.David Mamet’s masterpiece of machismo, desperation, and real estate agents screaming about leads. Grab your sad desk coffee and join us—because second prize is steak knives, but third prize is this podcast.

"Scene Weekly" For our 60th episode, we’re trying something new: focusing on one iconic film—Brian De Palma’s Mission: Impossible (1996). We break down Tom Cruise’s star-making turn as Ethan Hunt, the legendary CIA heist, and how this franchise-starter balanced suspense with blockbuster spectacle. Does it hold up? Is it the best M:I? Press play and find out!

"Scene Weekly" - This week Jonathan and Stephen dive into the exhilarating world of USA underdog stories, comparing two iconic films that define heart, determination, and against-all-odds victories. On one side, there’s Miracle (2004), the gripping true story of Herb Brooks and the 1980 U.S. Olympic hockey team’s miraculous defeat of the Soviet Union. On the other, Rocky (1976), the timeless classic about a small-time boxer who gets his "one shot" at glory.

"Scene Weekly" This week on Scene Weekly, Jonathan and Stephen dive into "For You Films," where each host assigns the other a movie they've never seen before. The challenge? Find unexpected connections and argue for their film’s unique brilliance!

Jonathan brings The Gods Must Be Crazy (1980), a wildly inventive South African comedy that turns a simple Coca-Cola bottle into a cultural clash of epic proportions. Meanwhile, Stephen counters with Ghost Dog: The Way of the Samurai (1999), Jim Jarmusch’s meditative crime drama about an enigmatic hitman living by the samurai code.

From slapstick to stoicism, chaos to contemplation—how do these two wildly different films stack up? And which one wins the week? Tune in as we debate, discuss, and maybe even change each other’s minds.

"Scene Weekly" - Jonathan and Stephen dive into the sun-soaked world of Hawaiian dramas as they debate The Descendants (2011) and Aloha (2015). One is a heartfelt, Oscar-winning story about family, loss, and legacy, while the other... well, let's just say it sparked plenty of controversy. Is The Descendants the ultimate Hawaiian drama, or does Aloha deserve more credit than it gets? From performances to cultural representation, our hosts break down what works, what doesn’t, and which film truly captures the spirit of the islands. Grab your leis and join the discussion—because this one’s a tropical showdown!

"Scene Weekly" Aloha, movie lovers! This week on Scene Weekly, Jonathan and Stephen dive into the tropical world of Hawaiian comedies, pitting two beloved rom-coms against each other: Forgetting Sarah Marshall and 50 First Dates.

Which film delivers the biggest laughs, the most heart, and the best use of its island setting? Is Forgetting Sarah Marshall the ultimate breakup comedy, or does 50 First Dates take the crown for its unique love story? From Jason Segel’s heartbreak to Adam Sandler’s daily romantic challenges, your hosts break down the performances, the humor, and which film best captures the spirit of Hawaii.