"Scene Weekly" - Jonathan and Stephen dive into the sun-soaked world of Hawaiian dramas as they debate The Descendants (2011) and Aloha (2015). One is a heartfelt, Oscar-winning story about family, loss, and legacy, while the other... well, let's just say it sparked plenty of controversy. Is The Descendants the ultimate Hawaiian drama, or does Aloha deserve more credit than it gets? From performances to cultural representation, our hosts break down what works, what doesn’t, and which film truly captures the spirit of the islands. Grab your leis and join the discussion—because this one’s a tropical showdown!

"Scene Weekly" Aloha, movie lovers! This week on Scene Weekly, Jonathan and Stephen dive into the tropical world of Hawaiian comedies, pitting two beloved rom-coms against each other: Forgetting Sarah Marshall and 50 First Dates.

Which film delivers the biggest laughs, the most heart, and the best use of its island setting? Is Forgetting Sarah Marshall the ultimate breakup comedy, or does 50 First Dates take the crown for its unique love story? From Jason Segel’s heartbreak to Adam Sandler’s daily romantic challenges, your hosts break down the performances, the humor, and which film best captures the spirit of Hawaii.

"Scene Weekly" - We have two movies going for the golden statue in this Oscar season. The first is a darkly comic/screwball comedy/human drama and just plain fun movie in Anora. The second, we tackle the greatness that is Bob Dylan in the biopic A Complete Unknown. Which movie do we think has the best chance at winning the Academy Award for Best Picture? Tune in and find out!

"Scene Weekly" Love, laughter, and a whole lot of wedding chaos! This week on Scene Weekly, Jonathan and Stephen dive into the world of wedding movies with a very special guest—Carolyn, who’s about to tie the knot in beautiful Maui! 💒✨ Together, we debate the ultimate big-day dilemmas: Is Father of the Bride the most heartfelt take on wedding jitters, or does 27 Dresses capture the modern rom-com magic of being "always the bridesmaid, never the bride"? From overprotective dads to an outrageous collection of bridesmaid dresses, we break down the iconic moments, rom-com tropes, and emotional gut punches that make these films wedding-movie royalty.

"Scene Weekly" This week on Scene Weekly, Jonathan and Stephen check into the eerie world of "Motel Movies" with two psychological thrillers that redefine suspense: Alfred Hitchcock’s Psycho (1960) and Christopher Nolan’s Memento (2000). Jonathan argues that Psycho is the ultimate motel nightmare, with its iconic twists, chilling score, and Norman Bates’ haunting performance. Stephen makes the case for Memento, a mind-bending tale of memory and revenge, where the seedy motel setting mirrors the fractured psyche of its protagonist.

"Scene Weekly" This week, Jonathan and Stephen ante up to debate two poker heavyweights: Rounders (1998), the underground grind with Matt Damon, and Casino Royale (2006), Bond’s high-roller showdown. Stephen goes all in on Rounders for its gritty realism and slow-played drama, while Jonathan raises the stakes for Casino Royale, calling its bluffs, bombs, and Bond-level action a royal flush. Who’s holding the winning hand? Shuffle up and listen to find out!

"Scene Weekly" This week, Jonathan and Stephen saddle up to debate two Sergio Leone classics: A Fistful of Dollars (1964) and The Good, the Bad and the Ugly (1966). Which Clint Eastwood-led Spaghetti Western reigns supreme? They’ll compare gritty storytelling, iconic scores, and Leone’s revolutionary style. Tune in for a lively discussion on greed, morality, and the Wild West!

"Scene Weekly" - 🎶 “If you want to sing out, sing out, and if you want to be free, be free…” 🎶

This week on Scene Weekly, Jonathan and Stephen take Cat Stevens' words to heart as they embrace the freedom to debate two of Hal Ashby’s most iconic films: Harold and Maude and Being There.

Stephen sings the praises of Harold and Maude, a story where life’s quirks and unexpected love remind us that “there’s a million ways to be.” Meanwhile, Jonathan delves into the tranquil brilliance of Being There, where Peter Sellers’ Chance the Gardener proves that silence can be as profound as song.