🌟 Final Girls Double Feature (Part 2)! 🌟

Next up: Death Proof (2007)

Abernathy, Zoë, and Kim aren’t just surviving—they’re taking the wheel and fighting back. In Death Proof, Quentin Tarantino flips the Final Girl trope on its head, giving us three fearless women who don’t just escape the killer—they absolutely wreck him. This week, we break down the badassery, the brilliant stunt work, and why this trio’s friendship and fury make them some of the most satisfying Final Girls in horror history.

Spoiler Warning: Buckle up—Death Proof spoilers (and serious girl power) ahead!

Loving Final Girls? Leave us a rating or review—it fuels our need for speed and survival.

Theme by Max Anson

Visit us at www.final-girls.com

🌟 Final Girls Double Feature! 🌟

First up: Planet Terror (2007)

Cherry Darling might have started the night as a go-go dancer with a broken heart, but by the end of Planet Terror, she’s packing heat and leading the charge against a zombie outbreak. This week, we dive into Cherry’s wild, blood-soaked Final Girl arc, the sheer camp of Robert Rodriguez’s grindhouse vision, and how Rose McGowan’s performance—and later activism—turned fiction into something far more powerful. We explore how Planet Terror became part of McGowan’s real-life journey of reclaiming her power from Harvey Weinstein and how she emerged as one of the faces of the #MeToo movement.

Spoiler Warning: Things get gory fast—Planet Terror spoilers ahead!

If you’re digging Final Girls, a rating or review helps us keep the grindhouse vibes alive and well.

Theme by Max Anson

Visit us at www.final-girls.com

You can’t fight what you can’t see, unless you’ve already survived the worst. In The Invisible Man (2020), Cecilia Kass escapes an abusive relationship… only to be haunted by a presence that no one else believes exists. This week, we dive into Cecilia’s chilling Final Girl journey, unpacking how the film turns gaslighting into a literal monster, explores the differences between seeing and unseeing, and puts control and autonomy back into the hands of its heroine. We also explore the film’s unflinching portrayal of domestic abuse, isolation, and disbelief—and how Cecilia’s transformation feels real and unsettling, even from behind the safety and comfort of the screen.

Spoiler Warning: The truth is visible, especially when it comes to The Invisible Man. This episode contains spoilers. Listen at your own risk.

If you’re into Final Girls, a quick rating or review helps more horror fans find the show and reminds the algorithm we do exist.

Theme by Max Anson

Visit us at www.final-girls.com

In The Cabin in the Woods, Dana thinks she’s headed for a weekend of fun with friends, but ends up in a bloody, mind-bending fight for survival where the real horror is who's pulling the strings. This week, we dig into Dana’s role as the archetypal Final Girl in a world that literally demands sacrifice, exploring how the film deconstructs horror tropes and leaves you with plenty of belly laughs along the way.

We also talk gods, conspiracy, stoner prophets, and the stakes of Dana’s decision in the final moments.

Here is the referenced episode of Who's There: A Podcast About Horror Fans.

Spoiler Warning: The ancient ones demand blood and spoilers, so consider this your warning before you descend into the cabin’s basement.

Love Final Girls? Leave us a rating or review—it helps more horror nerds find the pod, and might just spare us from global annihilation.

Theme by Max Anson

Visit us at www.final-girls.com

In space, no one can hear you scream—but Ripley makes damn sure they hear her survive. In Alien (1979), Sigourney Weaver redefined what a Final Girl could be: smart, resourceful, emotionally grounded, and completely unafraid to torch a xenomorph when it comes down to it. This week, we board the Nostromo and break down Ripley’s iconic status, how she shattered the gender norms of horror, and why her legacy still looms large over the Final Girls canon.

We also explore the film’s themes of bodily autonomy, corporate exploitation, and fear of the unknown—and why Ripley remains the gold standard for survival when the monster isn't just in the shadows, but inside the system.

Content Note: There is a discussion about sexual violence as a major theme in this film.

Spoiler Warning: There are some things lurking in the vents—like Alien spoilers. Listen at your own risk.

If you’re loving Final Girls, a quick rating or review helps other horror fans find the pod—and it means we don’t have to send a distress signal to deep space.

Theme by Max Anson

Blood is thicker than water—and sometimes it’s also a curse. In Ginger Snaps (2000), Brigitte Fitzgerald isn’t just watching her sister Ginger transform into something monstrous—she’s being pulled into the change right alongside her. This week, we sink our teeth into one of horror’s most iconic sister duos, exploring how Brigitte’s quiet strength, loyalty, and desperation to save Ginger make her a deeply compelling Final Girl.

We also dig into the film’s darkly brilliant metaphor for puberty and how Brigitte’s journey forces her to navigate the blurry line between codependence and survival. Werewolves, blood pacts, and suburban dread—this one has it all.

Spoiler Warning: This episode is full of transformations, trauma, and Ginger Snaps spoilers. You’ve been warned.

If you’re digging Final Girls, rating and reviewing the show helps more horror lovers find us—and keeps us from going full werewolf.

Theme by Max Anson

Visit us at www.final-girls.com

Long before Dutch faced the Predator in the jungle, Naru was already rewriting the rules of the hunt. In Prey (2022), Amber Midthunder brings fierce intensity to Naru, a young Comanche woman determined to prove she’s more than what her tribe expects of her. This week, we track Naru’s journey from underestimated healer to full-fledged warrior, discussing how the film flips the franchise’s macho legacy on its head and celebrates Indigenous resilience, skill, and survival.

We also dive into how Prey honors Final Girl tradition while pushing it forward—because Naru isn’t just surviving the Predator, she’s challenging the gendered and colonial expectations placed on her from the start.

🩸 Spoiler Warning: We’re spilling guts and spoilers—so watch Prey before pressing play.

If you’re loving Final Girls, help us out by rating and reviewing the show—it helps more horror fans (and aspiring warriors) find us.

🎵 Theme by Max Anson

💻 Visit us at www.final-girls.com

In Companion, Iris (Sophie Thatcher) isn’t just fighting for survival—she’s fighting for control over her own identity. Designed to be the perfect partner, our companion bot Final Girl is placed into a role she never chose, reflecting the way young women are automatically slotted into traditional gender roles by society. But as her weekend getaway takes a dark and violent turn, Iris begins to reclaim her autonomy, proving that survival isn’t just about escaping danger—it’s about breaking free from the expectations forced upon her. This week, we explore how Iris’s Final Girl arc challenges ideas of obedience, agency, and self-determination, leading to Iris’s final declaration of total self-control. 🔪🤖🔥

🩸 Spoiler Warning: Freedom comes at a price—and so does listening to this episode unspoiled. You’ve been warned!

If you enjoy Final Girls, take a moment to rate and review us—it helps more horror fans find the show, and we’d love to hear your thoughts!

🎵 Theme by Max Anson

💻 Visit us at www.final-girls.com