Ben and Rob wade into the beautiful mind of Beach Boy Brian Wilson’s mind waters with ‘Love & Mercy’ the biopic that, much like the man, is split right in two. With Paul Dano as the young Brian Wilson crafting Pet Sounds and battling hallucinations, and John Cusack as the older Brian Wilson trapped under the thumb of a manipulative therapist, ‘Love & Mercy’ captures the genius of Brian Wilson, the dysfunction within The Beach Boys, and the line between inspiration and illness.

But why is Ben so deeply emotionally attached to Brian Wilson? Is Paul Dano secretly becoming what Gary Oldman once was? Why was it so hard to be sober in The Beach Boys? And with Brian Wilson sadly passing away this week, are we objectively in a worse world, or is there hope?

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Ben and Rob test ‘Ex Machina’, Alex Garland’s sleek, sterile sci-fi thriller where tech anxiety gets seductive and sinister. Domhnall Gleeson plays Caleb, a wide-eyed coder sent to play assistant to Oscar Isaac’s Natan, a tech genius channeling Elon Musk if he ever got off the bad stuff; but the star of ‘Ex Machina’ is Ava—Alicia Vikander’s uncanny AI creation who may or may not be running her own Turing test on everyone.

The lads crack open the algorithms behind Ex Machina to find out whether this modern sci-fi masterpiece is Alex Garland’s best work—or just a very well-lit panic attack. But who is Alex Garland? Is ‘Ex Machina’ a secret bible camp? Given unlimited funds and no oversight, would we really be so much better than Nathan?

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Ben and Rob play ‘Funny Games’, Michael Haneke’s brutal shot-for-shot 2007 remake of his original home invasion masterpiece from ten years prior. Starring Naomi Watts, Michael Pitt, Tim Roth and Brady Corbet, ‘Funny Games’ is a hauntingly cold movie about not only the holiday from hell, but of horror movies and why we watch them.

But why did director Michael Haneke choose to remake almost exactly the same film he released ten years prior? Why do our villains keep breaking the fourth wall? Why do we enjoy such horrific films? And how does this all relate to Oscar darling ‘The Brutalist?!

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Ben and Rob feel “DREDD”, the 2013 Pete Travis directed adaptation of 2000AD’s megastar character Judge Dredd, starring Karl Urban, Lena Headey and Olivia Thirlby. Written by Alex Garland (director of ‘Ex Machina’, ‘Civil War’, ‘Warfare’), ‘DREDD’ struggled to make back its budget, despite good reviews and praise for its accuracy to the source material.

But why did ‘DREDD’ flop so hard at the box office? Was it the studio’s awful need for this to be ‘DREDD 3D’? The general public not knowing who the hell Judge Dredd is? Or was it due to a certain secret director having to save the project from Pete Travis, the credited leader of the adaptation?

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Ben and Rob autopsy ‘Death Of A Unicorn’, A24’s latest horror comedy starring Paul Rudd, Jenna Ortega, Richard E Grant and Will Poulter. ‘Death Of A Unicorn’ tells the tale of a father-daughter duo who hit a mythical beast with their car and somehow end up in a biotech conspiracy full of blood, mythology and not-so-subtle satire.

Is this film a takedown of late-stage capitalism or just a weird flex from a studio that knows we’ll watch anything as long as the lighting is moody enough? Why do the unicorns change colour? Has ‘Death of a Unicorn’ given us the horn or has A24 finally missed the mark? Wait, this a true story!?

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Ben and Rob wake up in ‘Dark City’, the dark sci-fi fantasy from Alex Proyas, director of ‘The Crow’. Released a year before ‘The Matrix’, ‘Dark City’ tells the story of John Murdock (Rufus Sewell), a man who has lost his memory in a city that never sees the sun where memory and time itself are the playthings of a race of alien beings known only as The Strangers. ‘Dark City’ was a critical success but a complete box-office bomb, with Alex Proyas ultimately blaming a studio that didn’t support the film correctly.

But what on earth made ‘Dark City’ the cult classic sci-fi fantasy that film forgot, when it’s so nearly ‘The Matrix’? Why does the theatrical version spoil almost all of the movie in the opening seconds? Can Ben make peace with this plot!? And what’s Richard O Brien from Rocky Horror doing in here?

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Ben and Rob discover ‘Critters’, the 1986 horror comedy from practical FX masterminds The Chiodo Brothers. When intergalactic creatures escape space jail, a small Kansas farmhouse must now deal with the critter menace with only alien futurecops to help them. Released in the wake of ‘Gremlins’ but written long before, ‘Critters’ made good at the box office and has become cult favourite horror comedy in the decades since it’s release.

But underneath ‘Critters’ craziness, is there a darker undercurrent of communist paranoia? Or perhaps an even deeper foretelling of a future American crisis? Have we proved that ‘Critters’ tells the future?!

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Ben and Rob elect ‘Conclave’ for this week’s episode! Directed by Edward Berger and shockingly well timed, ‘Conclave’ follows the story of Cardinal Lawrence (Ralph Fiennes) as he is tasked with leading one of the world's most secretive and ancient events; selecting a new Pope to be the head of the Catholic church. Not content with making over five times its budget, ‘Conclave’ also won the Oscar Best Adapted Screenplay at the Academy Awards and received widespread critical acclaim for it’s cast and crew.

But what on earth could have prompted Ben and Rob to reach for a drama this week of all weeks? Has something happened in the news? Are we planning our own campaign to be Pope? ARE DOLPHINS CATHOLIC!?

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