• EP 95. Birth of An Alternative Nation

  • Mar 11 2025
  • Duración: 25 m
  • Podcast

EP 95. Birth of An Alternative Nation

  • Resumen

  • Step into 1995—a time when five-disc CD changers ruled the bedroom, cassette Walkmans were essential for the commute, and a record player still held a place of honor in the living room. Not a single MP3 in sight. This was also the golden age of mixtapes, crafted with care and burned onto CDs, blending the past and future of rock into something unmistakably 1995.

    This episode of The New Dad Rock explores the birth of an alternative nation, when rock’s underground darlings started gaining mainstream traction, and genre lines blurred in ways that would shape music for decades to come. Steve and Keith take you through the landmark releases that defined this pivotal year, including:

    🔥 Pavement – Wowee Zowee (Lo-fi weirdness at its best)
    🔥 Morphine – Yes (Jazz-infused, sax-laden grit)
    🔥 PJ Harvey – Down By the Water (Haunting, bluesy, and powerful)
    🔥 Primus – Tales From the Punchbowl (Les Claypool’s bass wizardry in full force)
    🔥 Bjork – Post (Eclectic, Icelandic and electronic)
    🔥 Sonic Youth – Washing Machine (Experimental alt-rock, pushing boundaries)
    🔥 Smashing Pumpkins – Mellon Collie and the Infinite Sadness (Epic, overstuffed, and unforgettable)
    🔥 Red Hot Chili Peppers – One Hot Minute (Dave Navarro steps in, things get weird)
    🔥 Blind Melon – Soup (A deep-cut masterpiece, tragically overlooked)
    🔥 Everclear – Santa Monica (Power-pop angst distilled into one perfect track)
    🔥 Thurston Moore – Psychic Hearts (Sonic Youth’s frontman goes solo)

    And as the alt-rock establishment took shape, 1995 also marked the birth of some future legends, including Wilco, Cat Power, Sparklehorse, and Rammstein—all of whom would go on to define their own corners of New Dad Rock.

    What albums still hold up? What sounds haven’t aged well? And what exactly was in that five-disc changer back then? Tune in as Steve & Keith revisit the birth of an alternative nation—when mixtapes ruled, rock evolved and Gen X finally had their own classic rock.

    Let us know what’s up.

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