• Resumen

  • Brainland the podcast navigates the boundary between neuroscience, the arts and humanities with the occasional tangental trip. It began by the neuro-historical background to the Brainland the opera and is a Brainland Collective production.

    Hosted on Acast. See acast.com/privacy for more information.

    Ken Barrett
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Episodios
  • YOUR BRAIN ON DANCE: Navigating the complex world of dance neuroscience.
    Apr 16 2025

    Following on from the last episode, today we consider how neurosicnetists investigate the brain in relation to dance. Peter talks about his background as a classical musician before branching into the psychology and then neuroscience of dance. He explains the complexity of the subject - the many variables at play during dance and between dancers - and what progress has been made to understand the neural basis of ance. We talk about therapeutic uses of dance and studies of social cohesion promoted by dance. We wander into evolution and species differences before talking about the future of the subject.


    Participants:

    Peter Keller, Professor of Neuroscience, Centre for Music and the Brain, University of Aarhus, Denmark. https://www.au.dk/p.keller@clin.au.dk/

    Ken Barrett, visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/

    Links to papers from Peter's department:

    https://www.sciencedirect.com/science/article/pii/S0149763424002859?via%3Dihub

    https://www.sciencedirect.com/science/article/pii/S0149763423001665?via%3Dihub

    https://www.sciencedirect.com/science/article/pii/S0149763423004918?via%3Dihub

    Opening and closing music: Prelude to 'Brainland', the opera by Stephen Brown.

    Brainland the opera website: www.brainlandtheopera.co.uk

    Follow us us on Instagram:#brainlandcollective #brainlandthepodcast

    Hosted on Acast. See acast.com/privacy for more information.

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    1 h y 2 m
  • TRANSFORMING MENTAL STATES INTO DANCE: Evolving German Tanztheatre in London.
    Apr 1 2025

    Adrian Look, London-based choreographer and specialist in German 'Tanztheatre', talks about the origin of Tanztheatre within the 1920s Germany expressionist movement, tand aken to the next level by Pina Bausch in the modern era. Adrian talks about his unusual entry into dance, after a background of sport and philosophy. He discusses his reasons for coming to London, to be free of the over-respectful approach to the Bausch legacy, his experience as a dancer and his approach to choreography. We talk about his work on the 'Brainland' project, as an example of his working method (working with dancers of a wide range of ages). We concludes by talking about his current projects and material he would like to work with in future.


    Participants:

    Adrian Look, Teacher and Choreographer, Director of Tanztheatre Adrian Look. https://tanztheateradrianlook.com/ ; http://www.lookatmovement.co.uk/

    Ken Barrett, visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/


    For more on Adrian's choreography: https://tanztheateradrianlook.com/productions/

    For more on his teaching: http://www.lookatmovement.co.uk/locations/

    For more on Pina Bausch: https://www.pinabausch.org/en/post/biography

    For more on the history of Tanztheatre: https://en.wikipedia.org/wiki/Tanztheater


    Opening and closing music: Prelude to 'Brainland', the opera by Stephen Brown.

    Brainland the opera website: www.brainlandtheopera.co.uk

    Follow us us on Instagram:#brainlandcollective #brainlandthepodcast

    Ken Barrett, visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/


    Hosted on Acast. See acast.com/privacy for more information.

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    33 m
  • DECONSTRUCTING CONSCIOUSNESS: A philosophy for the science of animal consciousness
    Mar 25 2025

    In this podcast philosopher Walter Veit outlines five elements of conscious experience he believes can be scientifically explored,


    why and when, in evolutionary terms, those elements first appeared. He explains his concept of 'pathological complexity', which of those five may have appeared first, and the ethical imperatives that underpin animal consciousness research. After talking about slugs, octopuses and corvids we end with a discussion on how his approach may assist in creating machines that are in some sense conscious.


    Participants:

    Walter Veit, Lecturer in Philosophy, University of Reading, UK. External Member at the Munich Center for Mathematical Philosophy' Ludwig Maximilian University of Munich.https://walterveit.com/

    Ken Barrett, visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/


    Walter's book, 'A PHILOSOPHY FOR THE SCIENCE OF ANIMAL CONSCIOUSNESS': is here: https://www.routledge.com/A-Philosophy-for-the-Science-of-Animal-Consciousness/Veit/p/book/9781032343617#:~:text=This%20book%20aims%20to%20advance%20a%20true%20Darwinian,integrate%20consciousness%20into%20an%20evolutionary%20view%20of%20life.

    Opening and closing music: Prelude to 'Brainland', the opera by Stephen Brown.

    Brainland the opera website: www.brainlandtheopera.co.uk

    Follow us us on Instagram:#brainlandcollective #brainlandthepodcast

    Hosted on Acast. See acast.com/privacy for more information.

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    45 m
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