
Walking On Glass
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Narrado por:
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Peter Kenny
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De:
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Iain Banks
Acerca de esta escucha
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life. Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery.
Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games. The solution to the oldest of all paradoxical riddles will release him. But he must find an answer before he knows the question. Park, Grout, Quiss - no trio could be further apart. But their separate courses are set for collision.
©1985 Iain Banks (P)2013 Hachette AudioLos oyentes también disfrutaron...
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Stewart Gilmour is back in Stonemouth. After five years in exile his presence is required at the funeral of patriarch Joe Murston, and even though the last time Stu saw the Murstons he was running for his life, staying away might be even more dangerous than turning up. An estuary town north of Aberdeen, Stonemouth, with its five mile beach, can be beautiful on a sunny day. On a bleak one it can seem to offer little more than seafog, gangsters, cheap drugs and a suspension bridge irresistible to suicides.
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Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone.
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A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future, fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before?
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Stewart Gilmour is back in Stonemouth. After five years in exile his presence is required at the funeral of patriarch Joe Murston, and even though the last time Stu saw the Murstons he was running for his life, staying away might be even more dangerous than turning up. An estuary town north of Aberdeen, Stonemouth, with its five mile beach, can be beautiful on a sunny day. On a bleak one it can seem to offer little more than seafog, gangsters, cheap drugs and a suspension bridge irresistible to suicides.
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There is a world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse. Such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organization with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers?
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Consider Phlebas: Booktrack Edition adds an immersive musical soundtrack to your audiobook listening experience! The first audiobook in Iain M. Banks's seminal science fiction series, The Culture. Consider Phlebas introduces listeners to a utopian conglomeration of human and alien races that explores the nature of war, morality, and the limitless bounds of mankind's imagination.
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Music is super distracting and constant
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In the 1800s, a sailing ship crashes off the coast of Norway. In the 1900s, a Zepellin explores an icy canyon in Antarctica. In the far future, a spaceship sets out for an alien artifact. Each excursion goes horribly wrong. And on every journey, Dr. Silas Coade is the physician, but only Silas seems to realize that these events keep repeating themselves. And it's up to him to figure out why and how. And how to stop it all from happening again.
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Reseñas de la Crítica
"[A]n extraordinary feat, terrifying and baffling, going far beyond the bounds of fiction as it's usually defined." (Publishers Weekly)
"Establishes beyond doubt that Iain Banks is a novelist of remarkable talents." (Daily Telegraph)
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The Wopuld family built their fortune on a board game called Empire, now a wildly successful computer game. So successful, in fact, that the American Spraint Corp wants to buy the Wopulds out. Alban, who has been evading the family tentacles for the last few years, thinks Spraint should be treated with suspicion, but he also has other things on his mind. What, for example, drove his mother to take her own life?
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Hisako Onoda, world famous cellist, refuses to fly. And so she travels to Europe as a passenger on a tanker bound through the Panama Canal. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmostphere is as flammable as an oxy-acetylene torch, and the tension as sharp as the spike on the cello....
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Stewart Gilmour is back in Stonemouth. After five years in exile his presence is required at the funeral of patriarch Joe Murston, and even though the last time Stu saw the Murstons he was running for his life, staying away might be even more dangerous than turning up. An estuary town north of Aberdeen, Stonemouth, with its five mile beach, can be beautiful on a sunny day. On a bleak one it can seem to offer little more than seafog, gangsters, cheap drugs and a suspension bridge irresistible to suicides.
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Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone.
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A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future, fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before?
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Sci-fi fans might skip, but it’s fantastic and well crafted
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The Quarry
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General
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Narración:
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Historia
Eighteen-year-old Kit is weird: big, strange, odd, socially disabled, on a spectrum that stretches from "highly gifted" at one end, to "nutter" at the other. At least Kit knows who his father is; he and Guy live together in a decaying country house on the unstable brink of a vast quarry. His mother's identity is another matter. Now, though, his father's dying, and old friends are gathering for one last time.
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By Iain Banks, not Iain M. Banks
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The Steep Approach to Garbadale
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The Wopuld family built their fortune on a board game called Empire, now a wildly successful computer game. So successful, in fact, that the American Spraint Corp wants to buy the Wopulds out. Alban, who has been evading the family tentacles for the last few years, thinks Spraint should be treated with suspicion, but he also has other things on his mind. What, for example, drove his mother to take her own life?
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Entirely enjoyable. More AudioBooks by Iain Banks?
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De: Iain Banks
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Canal Dreams
- De: Iain Banks
- Narrado por: Lisa Coleman
- Duración: 7 h y 49 m
- Versión completa
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General
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Narración:
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Historia
Hisako Onoda, world famous cellist, refuses to fly. And so she travels to Europe as a passenger on a tanker bound through the Panama Canal. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmostphere is as flammable as an oxy-acetylene torch, and the tension as sharp as the spike on the cello....
De: Iain Banks
-
Stonemouth
- A Novel
- De: Iain Banks
- Narrado por: Peter Kenny
- Duración: 11 h y 6 m
- Versión completa
-
General
-
Narración:
-
Historia
Stewart Gilmour is back in Stonemouth. After five years in exile his presence is required at the funeral of patriarch Joe Murston, and even though the last time Stu saw the Murstons he was running for his life, staying away might be even more dangerous than turning up. An estuary town north of Aberdeen, Stonemouth, with its five mile beach, can be beautiful on a sunny day. On a bleak one it can seem to offer little more than seafog, gangsters, cheap drugs and a suspension bridge irresistible to suicides.
-
-
Pretty Offensive Stuff
- De MJ en 10-20-12
De: Iain Banks
-
Espedair Street
- De: Iain Banks
- Narrado por: Peter Kenny
- Duración: 8 h y 38 m
- Versión completa
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General
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Narración:
-
Historia
Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone.
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Lo que los oyentes dicen sobre Walking On Glass
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Total
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Ejecución
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Historia
- Maracapozzi
- 06-19-21
Weak ending to a good story.
I love pretty much everything by this great author, both literary and science fiction. This story fell short of my expectations. I felt it had a lot of potential, but fizzled in the end. It is certainly still worth reading or listening to.
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Total
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Ejecución
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Historia
- Michael Fuchs
- 09-24-21
Outstanding Stories - Dead End
I really love Iain’s work, and I was typically enchanted and confused by the multiple stories that start out totally unrelated. I was caught up in the evolving stories and their delicate, growing interrelationships. Right up through the penultimate chapter I was thoroughly enjoying the book. Each of the plot lines were really well done. But then… it just ends.
I’m not saying the stories weren’t concluded, but they did not each reach a satisfactory resolution - at least not evenly - and in particular the book did not feel like it provided a consolidated denouement that did justice to the quality of the individual stories.
I will certainly re-read (re-listen) it in the future, and hopefully gain a better appreciation for it. Of the dozen Iain Banks novels I’ve read (and loved) this is unfortunately my least favorite.
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