Universality

A Novel

De: Natasha Brown

Narrado por: Norma Butikofer, Anushka Chakravarti, Clare Corbett, Daniel Weyman

One of Literary Hub’s ‘Most Anticipated Books of 2025’

One of the BBC’s ’40 Most Exciting Books to Read in 2025’

Remember—words are your weapons, they’re your tools, your currency: a twisty, slippery descent into the rhetoric of power.

“Original, vital, and unputdownable.”—Tess Gunty, National Book Award-winning author of The Rabbit Hutch

Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar.

An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic newspaper columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers. Through a voyeuristic lens, and with a simmering power, Universality focuses on words: what we say, how we say it, and what we really mean.

A thrilling novel from one of the most acclaimed young novelists working today, Universality is a compelling, unsettling celebration of the spectacular, appalling force of language. It dares you to look away.

©2025 Natasha Brown (P)2025 Random House Audio

Reseñas de la Crítica

“Universality is a rare novel. It’s bold and brilliant. The humor is wry and, at times, cutting. But more than that, it’s an intelligent and humorous examination of class and wealth—and a real page-turner to boot. I will read anything Natasha Brown writes.”—Molly Aitken, author of Bright I Burn

“[Brown’s] second novel, Universality, more than delivers on the promise of her first. It is terrific; a pin-sharp, savagely funny tale of class, wealth and manipulation.”—The Bookseller

“In what is proving to be her signature architecture—a compact, cunning design of secret passageways—Brown immerses the reader in a house of haunted language. Fixing its attention on the cultural mutations of the extraction economy, Universality implicates everyone and condemns no one. I emerged from this novel with the conviction that the murder victim Brown is here to avenge is discourse itself. . . . Original, vital, and unputdownable.”—Tess Gunty, author of The Rabbit Hutch