
Their Eyes Were Watching God
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Narrado por:
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Nichole Marie
Acerca de esta escucha
Zora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist, the author of four novels, two books of folklore, an autobiography, and over 50 short stories, essays, and plays. Her 1937 novel Their Eyes Were Watching God is considered a classic of the Harlem Renaissance. An inspiring Southern love story, it is the narrative of Janie Crawford, a strong and independent woman, and her growth through a life marked by various challenges. The novel has been adapted for the stage, radio, and TV, and Time magazine included it in its 2005 list of the 100 best English-language novels published since 1923.
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In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.
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Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old, Maya is attacked by a man many times her age - and has to live with the consequences for a lifetime. But years later, she learns about love for herself and the kindness of others, her own strong spirit, and the ideas of great authors.
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In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.
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skip the introduction!
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Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.
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You Don’t Know Us Negroes and Other Essays
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Very nice!
- De Joi Wilson en 10-31-16
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Mules and Men
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- Duración: 2 h y 57 m
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General
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Historia
In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.
-
-
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- Duración: 10 h y 11 m
- Versión completa
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General
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Narración:
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Historia
Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old, Maya is attacked by a man many times her age - and has to live with the consequences for a lifetime. But years later, she learns about love for herself and the kindness of others, her own strong spirit, and the ideas of great authors.
-
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- The Story of the Last ""Black Cargo""
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- Narrado por: Robin Miles
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General
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Narración:
-
Historia
In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.
-
-
skip the introduction!
- De Earin en 10-16-18
-
Hitting a Straight Lick with a Crooked Stick
- Stories from the Harlem Renaissance
- De: Zora Neale Hurston
- Narrado por: Aunjanue Ellis
- Duración: 8 h y 57 m
- Versión completa
-
General
-
Narración:
-
Historia
Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.
-
-
Great Writer - Great Reader
- De Avid Listener en 09-09-20
-
You Don’t Know Us Negroes and Other Essays
- De: Zora Neale Hurston, Henry Louis Gates - introduction, Genevieve West - introduction
- Narrado por: Robin Miles
- Duración: 15 h y 19 m
- Versión completa
-
General
-
Narración:
-
Historia
You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.
-
-
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