
The Taken Child
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Narrado por:
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Joan Walker
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Nathaniel Priestley
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De:
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Maria Frankland
Acerca de esta escucha
As I race towards the lake, Toby's life unfolds before me, from the day he entered this world to his first day at school. Please let me find him. I’ll do anything. But my sweet little boy is nowhere to be seen.
It kills me that the only way I can spend proper time with my son Toby is by helping out at his school camp. I sit under the emerald green pine trees and Toby’s little face lights up as he runs past me, joining the other chattering, happy children around us. Then I see my ex, David, glaring at me and my heart sinks. He may have full custody, but he’d love nothing more than for me to disappear. Forever.
As the excitement of the first day at this isolated camp dies down, I cherish the long goodnight hug I get to give to my beautiful little boy. I’d do anything to get Toby back.
But my dreams for us are shattered when the next morning ends in shock and chaos. A body has been found. There’s a killer in the camp. We can’t trust anyone. And then my worst nightmares come true: Toby disappears.
Does the killer have my child? I’ve already come so far to protect Toby. How much further will I have to go, to get him back safe and sound?
Perfect for fans of Mark Edwards, T.M. Logan and Freida McFadden, this is a totally gripping psychological thriller packed with incredible twists.
©2024 Maria Frankland (P)2024 Bookouture, an imprint of Storyfire Ltd.Los oyentes también disfrutaron...
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- An Audible Original adaptation
- De: George Orwell, Joe White - adaptation
- Narrado por: Andrew Garfield, Cynthia Erivo, Andrew Scott, y otros
- Duración: 3 h y 27 m
- Grabación Original
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- De wotsallthisthen en 04-07-24
De: George Orwell, y otros
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Artemis
- De: Andy Weir
- Narrado por: Rosario Dawson
- Duración: 8 h y 57 m
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- De will en 11-18-17
De: Andy Weir
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Do You Remember?
- De: Freida McFadden
- Narrado por: Teri Schnaubelt
- Duración: 7 h y 12 m
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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One of the better ones
- De cotswoldrose en 10-13-24
De: Freida McFadden
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10 Rules for the Perfect Murder
- De: James Patterson, Chris Tebbetts
- Narrado por: Reid Scott, Cobie Smulders, full cast
- Duración: 3 h y 2 m
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- De Robert Scott Read en 10-30-24
De: James Patterson, y otros
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7 Hours to Die
- De: James Patterson, Duane Swierczynski
- Narrado por: Sarah Paulson, Patina Miller, Mel Rodriguez, y otros
- Duración: 2 h y 25 m
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- De Mdc en 10-08-24
De: James Patterson, y otros
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Denali
- De: Austin Bunn
- Narrado por: Jack Falahee, Jake Lacy, Amrit Kaur, y otros
- Duración: 1 h y 16 m
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Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.
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Fun and thrilling
- De Anonymous User en 01-23-25
De: Austin Bunn
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Say No More
- De: Caroline Overington
- Narrado por: Anna Skellern
- Duración: 5 h y 47 m
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- De alicia in athens en 02-13-25