
The Rich People Have Gone Away
A Novel
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Narrado por:
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William DeMeritt
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Shayna Small
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De:
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Regina Porter
Acerca de esta escucha
AN AUDACIOUS BOOK CLUB PICK • A diverse group of New Yorkers are brought together by the search for a missing woman—in this electric novel of secrets, connection, and community.
“Cinematic, preternaturally humane, and absolutely unputdownable—I just loved it.”—Claire Lombardo, People “What Your Favorite Authors are Reading This Summer”
“Riveting.”—Charmaine Wilkerson, New York Times bestselling author of Black Cake
A BEST BOOK OF THE YEAR: The New Yorker, The Washington Post, Time, Kirkus Reviews
Brooklyn, 2020. Theo Harper and his pregnant wife, Darla, head upstate to their summer cottage to wait out the lockdown. Not everyone in their upscale Park Slope building has this privilege: not Xavier, the teenager in the Cardi B T-shirt, nor Darla’s best friend, Ruby, and her partner, Katsumi, who stay behind to save their Michelin-starred restaurant.
During an upstate hike on the aptly named Devil’s Path, Theo divulges a long-held secret—and when Darla disappears after the ensuing argument, he finds himself the prime suspect. As Darla’s and Theo’s families and friends come together to search for her, with Ruby and Katsumi stepping in to broker peace, past and present collide with startling consequences.
Set against the pulse of an ever-changing city, The Rich People Have Gone Away connects the lives of ordinary New Yorkers to tell a powerful story of hope, love, and inequity in our times—while reminding us that no one leaves the past behind completely.
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Reseñas de la Crítica
“Porter’s story has the signposts of a mystery and the economically stratified ensemble cast of a social novel. In chapters centered on characters whose lives are disrupted by the couple’s drama and by lockdown, people sift through pasts whose cruelties match those of their pandemic present.”—The New Yorker
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- Narrado por: James Anderson Foster
- Duración: 1 h y 28 m
- Versión completa
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Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.
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Wonderful
- De Or en 02-02-25
De: Lee Child
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Too Late
- Definitive Edition
- De: Colleen Hoover
- Narrado por: Ryan Gray, Maxine Mitchell, Joe Arden
- Duración: 10 h y 19 m
- Versión completa
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- De Katherine Epperson en 07-11-23
De: Colleen Hoover
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George Orwell’s 1984
- An Audible Original adaptation
- De: George Orwell, Joe White - adaptation
- Narrado por: Andrew Garfield, Cynthia Erivo, Andrew Scott, y otros
- Duración: 3 h y 27 m
- Grabación Original
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- De wotsallthisthen en 04-07-24
De: George Orwell, y otros
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Artemis
- De: Andy Weir
- Narrado por: Rosario Dawson
- Duración: 8 h y 57 m
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- De will en 11-18-17
De: Andy Weir
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Do You Remember?
- De: Freida McFadden
- Narrado por: Teri Schnaubelt
- Duración: 7 h y 12 m
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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One of the better ones
- De cotswoldrose en 10-13-24
De: Freida McFadden
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Denali
- De: Austin Bunn
- Narrado por: Jack Falahee, Jake Lacy, Amrit Kaur, y otros
- Duración: 1 h y 16 m
- Grabación Original
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Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.
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Fun and thrilling
- De Anonymous User en 01-23-25
De: Austin Bunn
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10 Rules for the Perfect Murder
- De: James Patterson, Chris Tebbetts
- Narrado por: Reid Scott, Cobie Smulders, full cast
- Duración: 3 h y 2 m
- Grabación Original
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- De Robert Scott Read en 10-30-24
De: James Patterson, y otros
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7 Hours to Die
- De: James Patterson, Duane Swierczynski
- Narrado por: Sarah Paulson, Patina Miller, Mel Rodriguez, y otros
- Duración: 2 h y 25 m
- Grabación Original
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- De Mdc en 10-08-24
De: James Patterson, y otros
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Say No More
- De: Caroline Overington
- Narrado por: Anna Skellern
- Duración: 5 h y 47 m
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General
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- De alicia in athens en 02-13-25
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so disappointing
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August 2020. Sophia, a young playwright, awaits her father’s verdict on her new show. A famous author whose novels haven’t aged as gracefully into the modern era as he might have hoped, he is completely unaware that the play centers around a vacation the two took years earlier to an island off Sicily, where he dictated to her a new book. Sophia’s play has been met with rave reviews, but her father has studiously avoided reading any of them.
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Consistently boring
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Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief?
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August 2020. Sophia, a young playwright, awaits her father’s verdict on her new show. A famous author whose novels haven’t aged as gracefully into the modern era as he might have hoped, he is completely unaware that the play centers around a vacation the two took years earlier to an island off Sicily, where he dictated to her a new book. Sophia’s play has been met with rave reviews, but her father has studiously avoided reading any of them.
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Funny and touching, Behind You Is the Sea brings us into the homes and lives of three main families—the Baladis, the Salamehs, and the Ammars—Palestinian immigrants who’ve all found a different welcome in America. Their various fates and struggles cause their community dynamic to sizzle and sometimes explode: The wealthy Ammar family employs young Maysoon Baladi, whose own family struggles financially, to clean up after their spoiled teenagers. Meanwhile, Marcus Salameh confronts his father in an effort to protect his younger sister for “dishonoring” their name.
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Leslie Jamison has become one of our most beloved contemporary voices, a scribe of the real, the true, the complex. But while Jamison has never shied away from challenging material—scouring her own psyche and digging into our most unanswerable questions across four books—Splinters enters a new realm. In her first memoir, Jamison turns her unrivaled powers of perception on some of the most intimate relationships of her life: her consuming love for her young daughter, a ruptured marriage once swollen with hope, and the shaping legacy of her own parents’ complicated bond.
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Felt too self indulgent - even for a memoir
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When Catalina is admitted to Harvard, it feels like the fulfillment of destiny: a miracle child escapes death in Latin America, moves to Queens to be raised by her undocumented grandparents, and becomes one of the chosen. But nothing is simple for Catalina, least of all her own complicated, contradictory, ruthlessly probing mind. Now a senior, she faces graduation to a world that has no place for the undocumented; her sense of doom intensifies her curiosities and desires. She infiltrates the school’s elite subcultures—internships and literary journals, posh parties and secret societies.
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More, Please
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Millions of us use restrictive diets, intermittent fasting, IV therapies, and Ozempic abuse to shrink until we are sample-size acceptable. But for the 30 million Americans who live with eating disorders, it isn’t just about less. More, Please is a chronicle of a lifelong fixation with food—its power to soothe, to comfort, to offer a fleeting escape from the outside world—as well as an examination of the ways in which compulsory thinness, diet culture, and the seductive promise of “wellness” have resulted in warping countless Americans’ relationship with healthy eating.
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Good story, unbearable narration
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Coral is the first person to discover her brother Jay’s dead body in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother. Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles—and triples—down on posing as her brother.
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The Anthropologists
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Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. “Forget about daily life,” chides her grandmother on the phone. “We named you for a whole continent and you’re filming a park.”
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Can't say it's good
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Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.
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Frustrating
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The Most
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It is an unseasonably warm Sunday in November 1957. Katheen, a college tennis champion turned Delaware housewife, decides not to join her flagrantly handsome life insurance salesman husband, Virgil, or their two young boys, at church. Instead, she takes a dip in the kidney-shaped swimming pool of their apartment complex. And then she won’t come out.
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Two people who are cheaters in
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Lo que los oyentes dicen sobre The Rich People Have Gone Away
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Lilly Daniel
- 08-16-24
descriptions of food
great premise and storyline that became bogged down in a torrent of adjectives, stream of consciousness and random musings of a freshmen lit major after too much red wine and weed.Tornadoes in Iowa are not hurricanes, All the characters seemed unhappy, miserable and confused about their identity. Too neat stereotypes, the bi husband open marriage the lesbian couples, rich white girl, privileged black girl, who turns on her lifelong friend because .....stupid and unrealistic but it is a novel fiction.
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