
The Radium Girls
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Narrado por:
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Kate Moore
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De:
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Kate Moore
Acerca de esta escucha
NEW YORK TIMES BESTSELLER
All they wanted was the chance to shine. Be careful what you wish for…
‘The first thing we asked was, “Does this stuff hurt you?” And they said, “No.” The company said that it wasn’t dangerous, that we didn’t need to be afraid.’
As the First World War spread across the world, young American women flocked to work in factories, painting clocks, watches and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous – the girls shone brightly in the dark, covered head to toe in dust from the paint. However, as the years passed, the women began to suffer from mysterious and crippling illnesses. It turned out that the very thing that had made them feel alive – their work – was slowly killing them: the radium paint was poisonous.
Their employers denied all responsibility, but these courageous women – in the face of unimaginable suffering – refused to accept their fate quietly, and instead became determined to fight for justice.
Drawing on previously unpublished diaries, letters and interviews, The Radium Girls is an intimate narrative of an unforgettable true story. It is the powerful tale of a group of ordinary women from the Roaring Twenties, who themselves learned how to roar.
©2016 Kate Moore (P)2016 Simon & Schuster
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exceptionally well narrated
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You need to hear this story.
You need to face the horrors of workers from a different era.
Loved it.
A wonderful, horrible history
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The radium girls deserve a better book
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Therein lies the second problem. While I love narrative nonfiction, with this book I think she used too many fictional techniques in trying to bring the characters to life. I thought over and over that there was no way the author could know X. She’s in a person’s head describing thoughts and feelings she couldn’t know. She’s in a closed room, describing actions nobody saw. For example (this isn’t direct from the book, but it is representative of a scene in the book): Dr so-and-so stood in his empty office. He was grumbling as he dug through his messy desk drawer looking for an X-ray. Once again, he wished he were more organized and felt like a failure in the organization department. He ran his hand through his black hair, slicked back with hair pomade, scowled at the greas on the palm of his hand, wiped it off on his brown tie, and said, “Now where did I put that x-ray?” and continued to dig.
While I understand the author used original source material, examples like the above run rampant throughout the book. Are we to believe that material exists from the 1920s where we know what the doctor, alone in his office, was doing, thinking, feeling, wearing? I think not. She does this with about every single character--and like I said, there are a ton of people in the book.
Also, many repetitive gruesome descriptions of what happened to “the girls.” Had I been reading, I would have skimmed. Just a ton of repetition in general.
The author (English) narrates her own book and did a very nice job. It’s usually a disaster when novelists read their own fiction, but it seems nonfiction writers are much better at reading their memoir or nonfiction.
While this is a story that needed to be told…
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