
The Promise
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Narrado por:
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Peter Noble
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De:
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Damon Galgut
Acerca de esta escucha
Brought to you by Penguin.
Winner of the Booker Prize 2021.
This audiobook includes bonus content of Damon Galgut in conversation with Ted Hodgkinson, Head of Literature and Spoken Word at the Southbank Centre.
There is nothing unusual or remarkable about the Swart family, oh no, they resemble the family from the next farm and the one beyond that, just an ordinary bunch of white South Africans, and if you don't believe it then listen to us speak....
The many voices of The Promise tell a story in four snapshots, each one centered on a family funeral, each one happening in a different decade. In the background, a different president is in power, and a different spirit hangs over the country, while in the foreground the family fights over what they call their farm, on a worthless piece of land outside Pretoria.
Over large jumps in time, people get older, faces and laws and lives all change, while a brother and sister circle around a promise made long ago and never kept....
©2021 Damon Galgut (P)2021 Penguin AudioReseñas de la Crítica
A superb novel; a nuanced, sad, hilarious portrait of a family and a country (PAULA HAWKINS)
This story was so powerful, the writing so strong and supple.... What an achievement (CLARE CHAMBERS)
A moving, brilliantly told family epic...darkly comic...phenomenally good (ELIZABETH DAY)
The weight of a promise
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I grew up in the vaal, and the book felt very real.
wow
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Beautiful and emotional
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Tour de force
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The performance is excellent and makes the story
A great novel.
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Brilliantly Narrated
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I’m quite a few years older that the author and I’m a NZer. In no way would I claim that NZ is not racist but when I was growing up in the 50s and 60s my parents boycotted SA products in protest against the regime there. NZ as another colonized country, has always been politically (it wasn’t just sports) tied with/to SA and this book did not inform me in the way that it might do for people of other nations/ countries. It did not capture my interest or enthusiasm, but I was curious about why I did not like this book.
One last comment, which I had hoped to hear more about in the interview at the end of the book was that the author introduces “ you” into his narrative and although I was never certain, I think “you” was a different character in each of its appearances. However, I stand to be corrected on this point. Perhaps Damon Galgut really was addressing me, the “reader”.
Disappointing
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Overall disappointment
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Listened to the end but couldn't get into it.
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Could have been better
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