
The History of the Psychoanalytic Movement
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Narrado por:
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Joe Gomez
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De:
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Sigmund Freud
Acerca de esta escucha
This 1914 work is a polemic against competing theories in psychotherapy, directed at those who opposed his psychoanalysis. Adler and Jung, for example, had previously been followers of Freud but objected to his emphasis on sexual matters. The book is divided into three chapters, through which Freud threads a history of psychoanalysis from his perspective.
Museum Audiobooks strives to present audiobook versions of authentic, unabridged historical texts from prior eras which contain a variety of points of view. The texts do not represent the views or opinions of Museum Audiobooks, and in certain cases may contain perspectives or language that is objectionable to the modern listener.
Public Domain (P)2019 Museum AudiobooksLos oyentes también disfrutaron...
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Sigmund Freud (1856-1939) is remembered as the father of psychoanalysis. Civilization and Its Discontents (1930) is one of his key works, written three decades after his seminal book The Interpretation of Dreams. In it he considers the conflict between the needs of the individual acting both egotistically and altruistically in the pursuit of happiness and the myriad demands of civilised society and the ensuing tensions this clash of needs and demands generates.
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Here are three key works by Sigmund Freud which, published in the first decades of the 20th century, underpinned his developing views and had such a dramatic effect on world society. In the uncompromising Three Essays on the Theory of Sexuality (1905), he declared that 'sexual aberrations' are not limited to the insane but exist in 'normal' people to a greater or lesser degree. The three essays are divided between sexual perversions, childhood sexuality and puberty.
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Lo que los oyentes dicen sobre The History of the Psychoanalytic Movement
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Thomas
- 09-11-19
C'mon man
The failing grade for performance is by no means only the fault of the narrator. He and the producers or editors or whatever may not have known that the French and German names he was reading were pronounced differently than in English. Hence, for example, the comical rendering of the Frenchman Pierre Janet's (JA-NAY) name as the English "Janet". But other examples, such as pronouncing inchoate (in-co-ate) as "In Choat" really should have been caught by editors, or producers, or whatever.
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