
The Goddess of Death
Supernatural Fiction Series
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Narrado por:
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Russell D. Jones
Acerca de esta escucha
William Hope Hodgson was an early British writer of supernatural and fantasy fiction, becoming an inspiration for later writers such as Clark Ashton Smith and others. Dating to 1904, this was his first published story, and it tells the tale of a mysterious marble statue coming to life and murdering the townspeople.
©2014 Lamp of Trismegistus (P)2015 Lamp of TrismegistusLos oyentes también disfrutaron...
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Secular humanism has triumphed. Everything the late Victorians and Edwardians believed would bring human happiness has been achieved: Technology has made it so no one needs to work for a living, the social sciences ensure a smooth-running social order, and, in the name of tolerance, religious beliefs have been uprooted and eliminated except for a single holdout - a largely discredited and rapidly shrinking Catholic Church. Yet people are unhappy.
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In The Invisible Man, a scientist theorizes that if a person's refractive index is changed to exactly that of air his body does not absorb or reflect light, then he will not be visible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result. In The Time Machine, we follow the Time Traveller to the year 802,701 A.D.. He finds a golden race of small, soft, innocent people. But what is it that lurks in the dark shadows?
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Carnacki the Ghost-Finder
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Dan Starkey takes on the mantle of William Hope Hodgson's supernatural detective, Thomas Carnacki, in this collection of enhanced audiobook readings: 'The Gateway of the Monster', 'The House Among the Laurels', 'The Whistling Room', 'The Horse of the Invisible', 'The Searcher of the End House' and 'The Thing Invisible'. Directed by Scott Handcock.
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The Dracula Tape
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The never-before-told story behind the legend of Count Dracula! The story of the Count’s greatest love, Mina Harker, and the bloodthirsty vampire hunters whose cruel pursuit drove the master of the night to actions ever more ruthless. The Count Dracula sets the record straight.…
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FINALLY!
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Lot No. 249
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Unexplained events are happening at Oxford these days. Several students have been attacked at night by some strange form of wild animal. It can scale walls with cat-like agility. Its arms are as thin and as strong as steel bands. And there is one student who conducts midnight studies in his room with certain Egyptian artifacts. The most significant of which is a 6'7" tall mummy.
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Steven Jones, an entertainment producer from Chicago, journeys to London in search of new acts. There, he discovers the strange and disturbing wax museum of Rodgers and his inscrutable associate Orabona. Is the mad artist able to conjure up the world's most horrifying waxen effigies through his occult inspirations, or is there a darker secret lurking behind the wax and paint?
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Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.
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De: Gastón Leroux
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Bulldog Drummond
- De: Sapper
- Narrado por: Roy McMillan
- Duración: 8 h y 38 m
- Versión completa
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Demobilised officer, finding peace incredibly tedious, would welcome diversion. Legitimate if possible; excitement essential. When Captain Hugh Drummond, DSO, MC placed that advertisement, he was looking for adventure. What he finds is an international plot headed by the greatest criminal mastermind in the world.
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Fantastic Narration
- De nooch85 en 07-21-18
De: Sapper
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Father Brown
- De: G. K. Chesterton
- Narrado por: Bill Wallis
- Duración: 2 h y 44 m
- Versión resumida
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These four stories test Father Brown in many ways, creating headaches a plenty. However, Father Brown is nothing if not redoubtable and whilst Chesterton's stories are, in his own words, "very slight and improbable", his method is all his own. Bill Wallis captures perfectly the mood and tone of Father Brown in this collection.
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Short
- De chambs en 09-22-17
De: G. K. Chesterton
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The Four Feathers
- De: A. E. W. Mason
- Narrado por: Ralph Cosham
- Duración: 9 h y 59 m
- Versión completa
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Just before his regiment sails off to war in the Sudan, British officer Harry Feversham quits the military. He is immediately given four white feathers as symbols of cowardice, one by each of his three best friends and one by his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proven his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée.
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Deep Realistic Story Masterfully Read
- De Kappavpi en 07-05-04
De: A. E. W. Mason
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The Man Who Was Thursday: Centennial Edition
- De: G. K. Chesterton, Chesterton Books
- Narrado por: Nigel Peever
- Duración: 7 h y 9 m
- Versión completa
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This audiobook is wonderfully narrated by British actor Nigel Peever, who brings the story to life. Published by Chesterton Books.
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marvelous
- De Sam Torode en 10-02-18
De: G. K. Chesterton, y otros
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The Last Sherlock Holmes Story
- De: Michael Dibdin
- Narrado por: Robert Glenister
- Duración: 6 h y 43 m
- Versión completa
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In the late seventies an extraordinary document came to light which for fifty years had been held on deposit by the bankers of the deceased John Herbert Watson MD - better known to devotees of Conan Doyle as Dr Watson. A continuous narrative in the doctor’s own hand, the story opens in the East End of London in 1888. Three women have been savagely murdered by Jack the Ripper.
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Keeps you guessing, even after its finished!
- De Benja en 03-28-13
De: Michael Dibdin
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Dracula [Audible Edition]
- De: Bram Stoker
- Narrado por: Alan Cumming, Tim Curry, Simon Vance, y otros
- Duración: 15 h y 27 m
- Versión completa
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- De Jim "The Impatient" en 11-05-15
De: Bram Stoker
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Woundhealer's Story
- The First Book of Lost Swords
- De: Fred Saberhagen
- Narrado por: Cynthia Barrett
- Duración: 9 h y 40 m
- Versión completa
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Returning to the milieu of his Swords trilogy, Saberhagen offers a new scenario. The gods have withdrawn from the human world and the 12 Swords of Power they had forged are now scattered, lost and hidden. The weapons are still coveted, though, by men like Baron Amintor, who has lost one kingdom and now sees them as the means to another. No scruples stop him from stealing the sword Woundhealer from the White Temple, where its powers were offered to cure all pilgrims.
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Choose Your Sword, And Step Forward Into Destiny!
- De Michael en 03-08-13
De: Fred Saberhagen
Lo que los oyentes dicen sobre The Goddess of Death
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- Old Man Parker
- 11-08-21
Amateurish narration kills classic story.
“THE GODDESS OF DEATH”
by WILLIAM HOPE HODGSON
A thrilling and eerie first tale by this wonderful early author of horror literature.
Unfortunately, this classic story is amateurishly read by a narrator with seemingly no experience.
I'll say here what's wrong in the hopes that the people responsible for producing this can do better in the future.
The narrator's pacing is nonexistent.
He first rushes and then slows his reading. It creates an odd jerky uncomfortable listen.
Narrator Russell Jones starts and stops as he nervously reads the text. It gave me audible whiplash.
Russell Jones reading voice is too breathily eager. He sounds like he’s too close to the mic.
Obviously he’s very nervous. It made the whole listening experience as tense & nervous as he was.
Worse yet, Russell Jones' changes in tone are too strained as he tries to be different characters. Laughingly he makes the secondary character sound like Bullwinkle the Moose.
Really.
Bullwinkle the Moose.
I’m not kidding.
Talk about breaking the suspense!
A typical Audible screw-up I've heard too many times: A classic tale is ruined by another amateurish narrator.
Please pay attention Audible.
You can do so much better than charge listeners money and then let classic literature be ruined by bad (cheap I guess) production talent.
I hope that one day, AMAZON (who bought out Audible) will take some of their sickeningly enormous profits and re-do all the wonderful audio-books they've destroyed.
But I won't hold my breath.
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