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Narrado por:
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Zadie Smith
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De:
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Zadie Smith
Acerca de esta escucha
Brought to you by Penguin.
Book of the Year 2023 according to New York Times, New Yorker, Guardian, Economist, Observer, The Spectator, Financial Times, Vogue, The Times, The Oldie, i Paper, The Standard, Washington Post, Independent, Daily Express
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2023
SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024
ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023
LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2024
Truth and fiction. Jamaica and Britain. Who gets to tell their story?
In her first historical novel, Zadie Smith transports the reader to a Victorian England transfixed by the real-life trial of the Tichborne Claimant, in which a cockney butcher, recently returned from Australia, lays claim to the Tichborne baronetcy, with his former slave Andrew Bogle as star witness. Watching the proceedings, and with her own story to tell, is Eliza Touchet – cousin, housekeeper and perhaps more – to failing novelist William Harrison Ainsworth.
From literary London to the Jamaica’s sugar-cane plantations, Zadie Smith weaves an enthralling story linking the rich and the poor, the free and the enslaved, and the comic and the tragic.
‘A writer at the peak of her powers’ The Telegraph
‘It’s difficult to give any idea of how extraordinary this book is. One of the great historical novels, certainly. But has any historical novel ever combined such brilliantly researched and detailed history with such intensely imagined fiction?' Michael Frayn
‘As always it is a pleasure to be in Zadie Smith’s mind . . . Dickens may be dead, but Smith, thankfully, is alive’ New York Times
‘Zadie Smith’s Victorian-set masterpiece holds a mirror up to Britain . . . The Fraud is the genuine article’ Independent
‘Smith’s dazzling historical novel combines deft writing and strenuous construction in a tale of literary London and the horrors of slavery’ Guardian
Instant Sunday Times bestseller, September 2023
©2023 Zadie Smith (P)2023 Penguin Audio
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- De alicia in athens en 02-13-25
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Master of Salt & Bones
- De: Keri Lake
- Narrado por: Stefanie Kay, Ryan West
- Duración: 17 h y 49 m
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When I was a little girl, I dreamed a handsome knight would come and rescue me from my wretched mother. He'd ride up on his white steed and break the curse I've been fated to carry since the day I was born. Funny how things changed over time, how the fairytale twisted into something far more crooked—and darker—than I ever imagined. In reality, my knight is scarred and broken, living alone in a castle of bones that overlooks the sea. He isn’t searching for me. He never was.
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5 STARS
- De AudioObsessed en 03-12-23
De: Keri Lake
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Fahrenheit 451
- De: Ray Bradbury
- Narrado por: Tim Robbins
- Duración: 5 h y 1 m
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- De Joel en 03-27-17
De: Ray Bradbury
Lo que los oyentes dicen sobre The Fraud
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- KRN
- 10-07-23
this would have been better as a short nonfiction essay
smith misses the mark here, sadly. there is no value added, no nuance, no argument that develops depth and breathes better for being stretched into this long work of fiction. what's more, it is difficult to follow. Smith would have been better off putting her thoughts (on slavery, oppression, the search for justice within systems of injustice, colonialism and the difficulty and importance of writing) into a brief little essay. they would not take up too many pages, so she could append them with a historical summary of the trial she tried to add colour to via this book.
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