The Black Utopians

Searching for Paradise and the Promised Land in America

De: Aaron Robertson

Narrado por: Dion Graham

Long-listed, Washington Post Best Books of the Year, 2024

New York Times Book Review Notable Books of the Year, 2024

Long-listed, NYPL Best Books of the Year, 2024

Long-listed, Time Magazine Best Books of the Year, 2024

Long-listed, Boston Globe Best Books of the Year, 2024

Long-listed, CPL: Chicago Public Library Best of the Best, 2024

This program is read by by four-time Audie Award winner, Odyssey Award winner, and Los Angeles Times Book Prize Award-winning audiobook narrator, Dion Graham.

One of Literary Hub's most anticipated books of 2024

"Narrator Dion Graham's smooth baritone carries gravitas and emotion."—AudioFile Magazine (Earphones Award Winner)

A lyrical meditation on how Black Americans have envisioned utopia—and sought to transform their lives.

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?

These questions animate Aaron Robertson’s exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start.

Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine’s chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine’s members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country’s largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.

Alongside the Shrine’s story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.

The Black Utopians offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This audiobook is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.

A Macmillan Audio production from Farrar, Straus and Giroux.

©2024 Aaron Robertson (P)2024 Macmillan Audio

Reseñas de la Crítica

"This enticing mix of personal and general history of Black utopian safe spaces promises to engage readers interested in reckoning with the past and present of Black American experiences and milestones."—Library Journal

"At a time when signs of dystopia and despair abound, The Black Utopians takes us on a journey to a place—as much inside as around us—where stubborn hopefulness pushes back against the sirens of impossibility. In these pages, utopia is not fanciful and fleeting escapism, but the sweat-soaked soil of freedom dreams and fugitive imagination—nowhere and everywhere at once."—Ruha Benjamin, author of Viral Justice: How We Grow the World We Want and Imagination: A Manifesto

“An entrancingly rich odyssey of observation and storytelling, The Black Utopians returns us to forgotten and unknown histories of the ongoing search for a fairer, more equitable America. Aaron Robertson reminds us that integral to Black struggle has been an unbreakable sense of hope, resistance, and joy.”—John Keene, National Book Award-winning author of Punks: New & Selected Poems and Counternarratives

Fantastic History

This is a wonderful overview of the history of black nationalism through the framework of utopias. Through four distinct people, the author does a fantastic job of explaining the evolution of black nationalism and the role that Christianity, in particular, has played in these efforts. The author demonstrates how the impact of Albert Cleage, Jr. (Jaramogi), founder of the Pan-African Orthodox Christian Church, has been wildly overlooked in black theological circles, as well as the general history of black power. This is well written and well researched.