
Second Chances
Shakespeare & Freud
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Narrado por:
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Donald Corren
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Steven Crossley
Acerca de esta escucha
A powerful exploration of the human capacity for renewal, as seen through Shakespeare and Freud
In this fresh investigation, Stephen Greenblatt and Adam Phillips explore how the second chance has been an essential feature of the literary imagination and a promise so central to our existence that we try to reproduce it again and again.
Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone.
Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter. Both Shakespeare and Freud believed that we can narrate our life stories as tales of transformation, of momentous shifts, constrained by time and place but often still possible. Ranging from The Comedy of Errors to The Winter’s Tale, and from D. W. Winnicott to Marcel Proust, the authors challenge readers to imagine how, as Phillips writes, “it is the mending that matters.”
“In this scintillating collaboration between our leading Shakespearean and our most trenchant interpreter of Freud, the concept of the second chance keeps gathering momentum and reach. Second Chances is intellectually nimble and emotionally wise.”—Christopher Benfey, author of A Summer of Hummingbirds
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Historia
1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.
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Note!--Abridged version
- De Scott en 01-05-16
De: James Shapiro
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The Year of Lear
- Shakespeare in 1606
- De: James Shapiro
- Narrado por: Robert Fass
- Duración: 11 h y 6 m
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In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.
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Detailed and satisfying
- De Tad Davis en 02-24-16
De: James Shapiro
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Unforbidden Pleasures
- De: Adam Phillips
- Narrado por: Steven Crossley
- Duración: 5 h y 20 m
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Unforbidden Pleasures is the singular new book from Adam Phillips, the author of Missing Out, Going Sane, and On Balance. Here, with his signature insight and erudition, Phillips takes Oscar Wilde as a springboard for a deep dive into the meanings and importance of the unforbidden, from the fall of our "first parents", Adam and Eve, to the work of the great psychoanalytic thinkers.
De: Adam Phillips
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A Writer's Diary
- De: Virginia Woolf
- Narrado por: Susan Ericksen
- Duración: 16 h y 58 m
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From 1918 to 1941, even as she penned masterpiece upon masterpiece, Virginia Woolf kept a diary. She poured into it her thoughts, feelings, concerns, objections, interests, and disappointments -resulting in 26 volumes that give unprecedented insight into the mind of a genius. Collected here are the passages most relevant to her work and writing.
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Unfortunate choice of narrator
- De DTAR en 09-08-19
De: Virginia Woolf
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The Swerve
- How the World Became Modern
- De: Stephen Greenblatt
- Narrado por: Edoardo Ballerini
- Duración: 9 h y 41 m
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Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles.
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Very compelling history, a less compelling thesis
- De A reader en 05-01-12
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Being and Time
- De: Martin Heidegger
- Narrado por: Martyn Swain, Taylor Carman
- Duración: 23 h y 18 m
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Being and Time was published in 1927 during the Weimar period in Germany, a time of political, social and economic turmoil. Heidegger himself did not escape the pressures and his nationalism, and undeniable anti-Semitism in the following decades cast a shadow over the man, but not the work. Being and Time is not coloured by expressions of his later views (unlike other writings) and remains an outstanding document.
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Surprised it works as audio
- De Anonymous en 02-02-20
De: Martin Heidegger
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The Man Without Qualities
- De: Robert Musil
- Narrado por: John Telfer
- Duración: 60 h y 30 m
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In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.
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An unmatched intellectual epic
- De Delano en 06-23-22
De: Robert Musil
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Shakespeare Was a Woman and Other Heresies
- How Doubting the Bard Became the Biggest Taboo in Literature
- De: Elizabeth Winkler
- Narrado por: Eunice Wong
- Duración: 14 h y 28 m
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The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.
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Excellent!
- De Cedric en 06-03-23
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The Master and Margarita
- De: Mikhail Bulgakov
- Narrado por: Julian Rhind-Tutt
- Duración: 16 h y 52 m
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The Devil comes to Moscow, but he isn't all bad; Pontius Pilate sentences a charismatic leader to his death, but yearns for redemption; and a writer tries to destroy his greatest tale, but discovers that manuscripts don't burn. Multi-layered and entrancing, blending sharp satire with glorious fantasy, The Master and Margarita is ceaselessly inventive and profoundly moving. In its imaginative freedom and raising of eternal human concerns, it is one of the world's great novels.
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Satisfying Satanic Satire
- De Jacob en 12-06-11
De: Mikhail Bulgakov
Two insightful writers but…
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