
Raymond Chandler: The Long Goodbye (Dramatised)
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Raymond Chandler
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A brand new BBC Radio 4 full-cast dramatisation of a classic Raymond Chandler mystery featuring private eye, Philip Marlowe.
Down-and-out drunk Terry Lennox has a problem: his millionaire wife is dead and he needs to get out of LA fast. So he turns to his only friend in the world: Philip Marlowe, Private Investigator. He’s willing to help a man down on his luck, but later, Lennox commits suicide in Mexico and things start to turn nasty. Marlowe finds himself drawn into a sordid crowd of adulterers and alcoholics in LA’s Idle Valley, where the rich are suffering one big suntanned hangover. Marlowe is sure Lennox didn’t kill his wife, but how many more stiffs will turn up before he gets to the truth?
©2011 BBC Studios Distribution Ltd (P)2011 BBC Studios Distribution LtdLos oyentes también disfrutaron...
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- De wotsallthisthen en 04-07-24
De: George Orwell, y otros
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Artemis
- De: Andy Weir
- Narrado por: Rosario Dawson
- Duración: 8 h y 57 m
- Versión completa
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- De will en 11-18-17
De: Andy Weir
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Do You Remember?
- De: Freida McFadden
- Narrado por: Teri Schnaubelt
- Duración: 7 h y 12 m
- Versión completa
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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One of the better ones
- De cotswoldrose en 10-13-24
De: Freida McFadden
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Denali
- De: Austin Bunn
- Narrado por: Jack Falahee, Jake Lacy, Amrit Kaur, y otros
- Duración: 1 h y 16 m
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Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.
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Fun and thrilling
- De Anonymous User en 01-23-25
De: Austin Bunn
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10 Rules for the Perfect Murder
- De: James Patterson, Chris Tebbetts
- Narrado por: Reid Scott, Cobie Smulders, full cast
- Duración: 3 h y 2 m
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- De Robert Scott Read en 10-30-24
De: James Patterson, y otros
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7 Hours to Die
- De: James Patterson, Duane Swierczynski
- Narrado por: Sarah Paulson, Patina Miller, Mel Rodriguez, y otros
- Duración: 2 h y 25 m
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- De Mdc en 10-08-24
De: James Patterson, y otros
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Say No More
- De: Caroline Overington
- Narrado por: Anna Skellern
- Duración: 5 h y 47 m
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- De alicia in athens en 02-13-25
Lo que los oyentes dicen sobre Raymond Chandler: The Long Goodbye (Dramatised)
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- jim
- 10-30-17
Great classic work
I’m a fan of Mr. Chandler and this story hits all his beats! Well done all around.
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- Lawrence
- 01-14-13
Just what you'ld expect from Chandler
Dramatisation is certainly more fun than a single reader's voice. Reader's chosen well and great material.
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- K. Burch
- 07-23-14
Enjoyable Noir. Well Produced.
Where does Raymond Chandler: The Long Goodbye (Dramatised) rank among all the audiobooks you’ve listened to so far?
In the upper third. These dramatized Chandler tales aren't not long enough to spend a full credit on, but they are entertaining enough to pay the small price Audible asks for them.
What did you like best about this story?
The dramatization. These abridge shorts are very well made.
What about the narrators’s performance did you like?
I really like the background sounds (a clink of a glass, the click of a gun, etc.)
Any additional comments?
Bought this one and then started collecting some of the others. I'm up to three of these now, and can see myself buying a few more.
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- Nils J. Rasmussen
- 11-24-12
A Great Way To Spend One & A Half Hours
Any additional comments?
I'm a huge fan of those old radio plays from the 40's & 50's so at first I was a bit skeptical that they could re-create what is now an entirely lost artform. But I was blown away by how wonderful a job they did at producing that same feeling while listening. The acting, music, sound effects & overall production all contributed to a really great translation of Raymond Chandler's book into the different medium.
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- Wilson Edwards
- 05-09-16
Toby Stephens is no Ed Bishop
What could have made this a 4 or 5-star listening experience for you?
Better actors, full production elements, sound effects, and a longer less condensed version of the story.
Who was your favorite character and why?
Phillip Marlowe-however this rather amaterurish version of Marlowe doesn't work.
What didn’t you like about the narrators’s performance?
The narrator tried too hard to evoke a film noir influenced style to his read. It was not only ineffective it was style over substance. The beauty of any Chandler book is the words, the late Ed Bishop who performed these same stories in the 1970's on BBC articulated and emphasized with ease the language and attitude of Chandler. Toby has the pipes but gets lost by not understanding the context of the character. It's especially annoying with the inferior mix of audio, a lot of background bursts of voices which are mere fragments of the original production, The whole production although sharp in some sections sounds too post modern and ironic.
What character would you cut from Raymond Chandler: The Long Goodbye (Dramatised)?
That should read what actor? The gentlemen playing Terry Lennox was horiffic, sounded like a 17 year old boy. No Jim Bouton.
Any additional comments?
Unfortunately Ed Bishop has passed, and the original 1970's era actors and producers are likely not available. I admire the fact that you would take this task on and Toby is talented, but not ready to step in Ed's shoes. As for the paired down production elements and lesser actors it's a real disappointment. Instead-reissue the superior production from the 1970's. The producers should have offered the lead to Elliot Gould who besides being a great actor, is a huge chandler fan and the star of the 1973 film adaptation of the book.
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- Holly
- 07-21-18
Lifeless Goodbye
So disappointing was this story that I didn't bother listening to the ending. Predictable and slow. I usually love the Raymond Chandler stories with Philip Marlowe so I was surprised and bored. I will think again before ordering another.
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