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Narrado por:
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Maggie Mash
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De:
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Stella Rimington
Acerca de esta escucha
MI5 officer Liz Carlyle is posted to Northern Ireland. From the moment she lands in Belfast, danger follows. She soon discovers that the peace process in the province is precarious.
Then a source reports strange goings-on at a house on the Irish Sea owned by the Fraternity, an organisation Liz suspects of being a front for renegade former IRA men. Its head is Seamus Piggott, an Irish-American with a gun-running past.
When another informant reports a plot is being hatched against the security forces, Liz and her colleague Dave Armstrong suspect Piggott is involved, along with a former French Intelligence officer.
Moving from London to Belfast to the South of France, the latest Stella Rimington Liz Carlyle novel is a propulsive thriller filled with action and nail-biting suspense.
©2009 Stella Rimington (P)2010 WF Howes LtdLos oyentes también disfrutaron...
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Plenty of Murder, Espionage, Suspense & Thrills!!!
- De shelley en 04-09-18
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The 13th Witch
- The King's Watch, Book 1
- De: Mark Hayden
- Narrado por: Ciaran Saward
- Duración: 10 h
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Conrad Clarke, former RAF pilot and alleged gangster, gets a text – and a visit – from The Allfather. Odin has a challenge for Conrad: Sign up to protect England from wild magick and get a commission in the King’s Watch. All he has to do is find a missing witch. Simple. Conrad never could resist a challenge. Before you can say “Ragnarok”, he’s plunged into a world of gods, mages, witches, dwarves, and one very aggressive giant mole.
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A great story becomes even better
- De Pine wind en 11-09-20
De: Mark Hayden
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Child Taken
- De: Darren Young
- Narrado por: Katy Sobey, Jonathan Keeble, Jilly Bond
- Duración: 11 h y 12 m
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One hot summer's day, two-year-old Jessica Preston disappears from the beach. The police are convinced she drowned, but Sandra Preston won't give up hope that her daughter is still alive. How can she? Twenty years later, another child goes missing, and Sandra is approached by a young journalist who raises questions about what really happened to Jessica Preston all those years ago.
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Wonderful story!
- De KDB en 04-28-18
De: Darren Young
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Running Blind
- De: Desmond Bagley
- Narrado por: Paul Tyreman
- Duración: 9 h y 22 m
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The assignment begins with a simple errand - a parcel to deliver. But to Alan Stewart, standing on a deserted road in Iceland with a murdered man at his feet, it looks anything but simple. The desolate terrain is obstacle enough. But when Stewart realises he has been double-crossed and that the opposition is gaining ground, his simple mission seems impossible....
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Timeless
- De Jim en 01-17-23
De: Desmond Bagley
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The Blood Strand
- Foroyar Triology, Book 1
- De: Chris Ould
- Narrado por: Matt Addis
- Duración: 11 h y 8 m
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Jan Reyna is a murder squad detective, British by adoption and choice, Faroese by birth and history. Called back to the remote Danish Faroe Islands when his father suffers a paralysing stroke, Reyna is forced to reexamine his decades-long rejection of the past and of his father in particular. But in this now-foreign country, whose language and customs he no longer understands, Reyna is also drawn into a rare Faroese murder case.
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excellent first book
- De Dr. William J. Kass en 03-22-16
De: Chris Ould
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Moscow Sting
- De: Alex Dryden
- Narrado por: Simon Vance
- Duración: 10 h y 18 m
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When Finn, a former British spy, is poisoned by a Russian assassin, his ex-boss Adrian, chief of MI6, wants vengeance. He also wants answers - information that only Finn's widow, Anna, knows. Taken to America for protection and information, the former Russian agent faces her greatest test: to ensure her freedom and protect her child, she must uncover the full truth before anyone else - even as friend and foe both set her in their sights.
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will keep you guessing right up to the end
- De Catherine J. Pondozzi en 11-24-12
De: Alex Dryden
Lo que los oyentes dicen sobre Present Danger
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Historia
- Jane
- 07-17-12
Disappointing read from retired head of MI5
Viewing a TV interview with author Stella Rimmington, I was impressed by her personal authority, and the fact that she had mixed parenthood (single parenthood at that) and top leadership in British espionage. So, I reasoned, her fictionalised accounts of life in MI5 had to be laced with authentic details and situations.
But this was not to be the case. It was a hard-work listen, but I persisted believing that, given the author's history, there had to be something engaging ahead. But why was it hard work: maybe it was the reader, I thought -- earnest, sententious and heavy going interpretations of some voices and other voices trivialised. Maybe it was the heroine, Liz Carlyle: impeccably moral, looking for love, brave, conscious of establishing herself as a woman in a previously male world. I thought that it was all fair enough that she shakes, she flutters, needs a hand from her strong males from time to time, is emotional. But Rimmington wasn't establishing her as successfully mixing these traits with professional leadership. In fact, quite the reverse: the actions of this poor woman are used as a pivot for the plot -- Rimmington has her switching off her mobile phone for a day, and deleting unheard phone messages, while she is away from her post. What does that say about what I assume to be the author's goal of demonstrating that women can be effective leaders. Yes, the plot lines continue to be laboured: in addition to the phone aberrations, we also have a trained and experienced operator make reckless decisions as a result of disappointment in love.
But on we go. By now the listener can almost predict what the characters are going to say and how the plot is going to resolve. The baddies are very bad, the goodies are very....well, very dull. The underlying message is very real ('the Irish troubles' are not fully over -- Britain, you are still in danger). And we must suppose that some of the operational details are authentic.
We now move to islands, and cellars, and rescues -- and there's the reader, still sounding as if she is reading a children's story book -- dialogue becomes more clich??d, the plot more inevitable and transparent.
And now it is all over. And Rimmington has disappointed. Was it lack of confidence as a writer? Were there qualities missed entirely due to the way it was read? Did some sort of official secrets act stop her from creating a strong, authentic saga?
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