
Portrait of an Unknown Woman
A Novel
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Narrado por:
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Josephine Bailey
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De:
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Vanora Bennett
At the center of Portrait of an Unknown Woman is Meg Giggs, Sir Thomas More's 23-year-old adopted daughter. Intelligent, headstrong, and tender-hearted, Meg has been schooled in the healing arts. And though she is devoted to her family, events conspire that will cause Meg to question everything she thought she knew, including the desires of her own heart. As the danger to More and his family increases, two men will vie for Meg's affections: John Clement, her former tutor and More's protégé, who shares Meg's passion for medicine but whose true identity will become unclear, and the great Holbein, whose artistic vision will forever alter her understanding of the world.
With a striking sense of period detail, Portrait of an Unknown Woman is an unforgettable story of sin and religion, desire and deception. It is the story of a young woman on the brink of sensual awakening and of a country on the edge of mayhem.
©2007 Vanora Bennett (P)2007 Tantor Media Inc.Listeners also enjoyed...




















Reseñas de la Crítica
"An engrossing, quietly impassioned historical that blends some big ideas into the love story and ends with a touching burst of emotional insight." ( Kirkus Reviews)
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wish it didn't end.
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Oh I adored this book, and can't imagine why there are negative reviews, except that the readers weren't the target audience for this book.
This is historical fiction, based heavily in fact, but the fictional parts are creative and page-turning.
Some knowledge of Sir Thomas More, Richard III/the princes in the tower, and Hans Holbien would help the listener enjoy this book more. The backdrop is England during Henry VIII's difficult divorce and break from Rome to marry Anne Boleyn.
Great book for anyone interested in the culture and religious issues of the time.
This is a masterful piece of historical fiction, subtle and beautiful.
Excellent book, stayed up all night!!
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loved it!
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Tedious
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However I was deeply disappointed by the book itself for the following reasons:
1. Thomas Moore, Meg Giggs adoptive father, is portrayed as half monster, half loving parent. It is hard to believe, but the author goes so far as to portray Moore as a man who, among other things, personally tortured heretics in his out-buildings. There is no historical evidence to even slightly support this scandalous representation. The author's note at the end doesn't even endeavor to claim historical accuracy on this point. Saying Abraham Lincoln was a pedophile wouldn't make it true... it seems wrong to make up something so damaging and unfounded.
2. One of the characters turns out to be a prince in disguise. I felt intellectually insulted. The cliche fitted into the story, but that didn't make me any happier about it.
3. The author did not do her linguistic research very carefully. The dialogue didn't need to be archaic, but sometimes the sentence construction or words used were so blatantly modern I felt myself wincing. I expected someone to exclaim 'cool' or 'shut up.'
4. The characters did not feel like they belonged in that era either. Meg Giggs, the main character, thought and acted like a modern woman. That irked me. It was incongruous.
5. The story changes perspective all the time. Sometimes it is in the third person, and sometimes it is Meg's, Hans', or another character's perspective. Sometimes the perspective even changes mid paragraph (seriously!) Nice try at creativity, but it didn't work for me.
On the other hand the author has a good turn for description, a clever eye for the dramatic, and reasonable talent for keeping you interested. At best I'd call this book 'sensational historical fiction.'
Revisionist History
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