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Lino Guanciale
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Una famiglia liberale e progressista, nella Germania degli anni Venti, è una famiglia in pericolo. Il nazismo è un morbo che prolifera in fretta, anche in luoghi insospettabili come la clinica psichiatrica dei Lang. Il figlio maggiore, Karl, è un nazista della prima ora, che partecipa giovanissimo al Putsch di Monaco e appena può diventa membro del partito con la tessera numero 690. A casa si vergognano di lui, ma la sua ascesa è iniziata: quella tessera equivale a uno strumento di potere, il lasciapassare che condurrà Karl fino ai vertici dello Stato. Sembra l'innesco di un romanzo sul Terzo Reich, ma è la storia - vera, ricordata, tramandata, e poi reinventata - degli antenati di Alessio Cremonini.
Suo nonno Bruno è l'altro figlio, il fratello minore di Karl. E tutto ciò che ha attraversato se l'è portato dentro fino alla fine, come un segreto di cui dire il meno possibile per tutelare i vivi e i morti. Eppure quella storia non è andata perduta: partendo da un diario scoperto per caso, da un plico di lettere e da qualche vecchio filmato girato dal nonno, a raccoglierla è il nipote regista, che da ragazzo lo tempestava di domande e adesso ricompone il quadro della memoria familiare e collettiva. Alessio Cremonini si muove sulla pagina come dietro alla macchina da presa: ora che tutti dormono insieme ai loro slanci, le loro battaglie e le loro colpe, quello che scorre sotto i suoi occhi è il grande film della storia con la S maiuscola.
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