
One, None, and a Hundred Thousand
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Narrado por:
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Kris Dyer
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De:
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Luigi Pirandello
Luigi Pirandello's extraordinary final novel begins when Vitangelo Moscarda's wife remarks that Vitangelo's nose tilts to the right. This commonplace interaction spurs the novel's unemployed, wealthy narrator to examine himself, the way he perceives others and the ways that others perceive him.
At first he only notices small differences in how he sees himself and how others do; but his self-examination quickly becomes relentless, dizzying, leading to often darkly comic results as Vitangelo decides that he must demolish that version of himself that others see.
Pirandello said of his 1926 novel that it 'deals with the disintegration of the personality. It arrives at the most extreme conclusions, the farthest consequences'. Its unnerving humour and existential dissection of modern identity finds counterparts in Samuel Beckett and Vladimir Nabokov.
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Moscarda's slide into madness is subtle, convincing and the results around it tragicomic.
There was a time when director Lindsay Anderson and actor Malcolm McDowell might have made a perfect adaptation of One, None, and a Hundred Thousand.
But who makes movies like that anymore :)
Beguiling and darkly comic
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Great book and solid narration
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Fabulous Novel from Nobel Prize Winner
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Another one fought to the “end”
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Plot: No spoilers, as there is no story in this book per se. A man, after a remark from his wife that his nose is tilted more towards one side than the other, goes on an absolute madman's mental journey, deconstructing himself into an infinite number of mental constructs and ending up by not associating with any of them.
Boring and tedious
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