
Metamorphoses
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Narrado por:
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Barry Kraft
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De:
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Ovid
First published in A.D. 8, Ovid's Metamorphoses remains one of the most accessible and inspirational introductions to Greek mythology.
Translated by Frank Justus Miller.
Public Domain (P)2008 Blackstone Audio, Inc.Listeners also enjoyed...




















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Cornerstone of western literature
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Roman gods names
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Some have complained of the narrator. He grew on me and ultimately I found him to be excellent if you stick with him.
Why has no one insisted I read this before?!
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Awesome classic. I love reading the classics.
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Amazing Story, Amazing Story
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A warning to newcomers to Greco-Roman mythology. Ovid assumes you have heard the tales told by other authors (such as Heracles, Jason & the Argonauts, Theseus & the Minotaur, Troy, and the wanderings of Odysseus and Aeneas to name a few). I mention this because Ovid jumps around a lot and takes snippets from the previously mentioned myths plus others to explain how things change (hence the title Metamorphoses) into various animals, plants, or natural landmarks. This book is in somewhat chronological order at times but more often with characters flashing back to earlier myths or even myths within myths. This can cause some confusion. However, with this is mind it adds a wonderful interpretation and at times a new perspective on well known myths. Bona fortuna!
A wonderful listen to some great myths.
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Superb and powerful!!!
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not as dense as I expected, surprisingly fun
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Epic mythology
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I can tell that the translation and narration here are fine based on the way I'm captivated by the first episode in each of Ovid's "Books." Really. . . this material is absolutely riveting, a wonderful listen. I also notice that by the end of the Book, I'm barely awake and pretty sure I did doze off at points in the interim.
One-hour-plus of un-broken narration does not work, not for Metamorphosis, and probably not for any audio book.
We need meaningful breaks (silence, audio-book music, place markers that would show in an iPod, etc.) after every episode, not after every book. I don't care whether Ovid demarcated it that way. I don't care if ancient audiences heard all-the-way-through oral recitations. These audio-books are geared for modern audiences and if the format is to flourish, publishers need to get out of auto-pilot mode (where they passively mimic written text) and really think about user experience.
It's probably harsh to pin all this on a review of Metamorphosis. I've seen it throughout audio. If I’d have figured out how to articulate it earlier, I'd have wrote this for Iliad, Odyssey or Aneid. But this is the piece where I realized why I wasn't enjoying the work as much as I could have.
Plagued by flaw in audio-book format
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