Live Dead
The Grateful Dead, Live Recordings, and the Ideology of Liveness
No se pudo agregar al carrito
Add to Cart failed.
Error al Agregar a Lista de Deseos.
Error al eliminar de la lista de deseos.
Error al añadir a tu biblioteca
Error al seguir el podcast
Error al dejar de seguir el podcast
Exclusivo para miembros Prime: ¿Nuevo en Audible? Obtén 2 audiolibros gratis con tu prueba.
Live Dead
Compra ahora por $13.99
No default payment method selected.
We are sorry. We are not allowed to sell this product with the selected payment method
-
Narrado por:
-
Christopher Grove
-
De:
-
John Brackett
Acerca de esta escucha
The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead's reputation as a "live band" was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to "Betty Boards," and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of "liveness," authenticity, and the power of recorded sound.
©2023 Duke University Press (P)2024 Tantor MediaLos oyentes también disfrutaron...
-
Bear
- The Life and Times of Augustus Owsley Stanley III
- De: Robert Greenfield
- Narrado por: Sean Runnette
- Duración: 6 h y 10 m
- Versión completa
-
General4.5 out of 5 stars 242
-
Narración:4.5 out of 5 stars 203
-
Historia4.5 out of 5 stars 205
The creator of the dancing bear logo and designer of the Wall of Sound for the Grateful Dead, Augustus Owsley Stanley III, better known by his nickname, Bear, was one of the most iconic figures in the cultural revolution that changed both America and the world during the 1960s. Owsley's high octane rocket fuel enabled Ken Kesey and his Merry Pranksters to put on the Acid Tests. It also powered much of what happened on stage at Monterey Pop.
-
5 out of 5 stars
-
wow
- De Brian Harnois en 10-12-20
-
Searching for the Sound
- My Life with the Grateful Dead
- De: Phil Lesh
- Narrado por: Phil Lesh
- Duración: 5 h y 33 m
- Versión resumida
-
General4.5 out of 5 stars 589
-
Narración:5 out of 5 stars 440
-
Historia5 out of 5 stars 438
Phil Lesh first met Jerry Garcia in 1959 in the clubs of Palo Alto, California. At Garcia's suggestion, Lesh learned to play the electric bass and joined him in a new group that blended R&B, country, and rock 'n' roll with an experimental fervor never before heard.
-
5 out of 5 stars
-
Searching for the Sound
- De Brad Zerkel en 04-29-05
De: Phil Lesh
-
All the Years Combine
- The Grateful Dead in Fifty Shows
- De: Ray Robertson
- Narrado por: Christopher Grove
- Duración: 6 h y 59 m
- Versión completa
-
General0 out of 5 stars 0
-
Narración:0 out of 5 stars 0
-
Historia0 out of 5 stars 0
In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant-and what they continue to mean.
De: Ray Robertson
-
Cornell '77
- The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall
- De: Peter Conners
- Narrado por: Johnny Heller
- Duración: 5 h y 2 m
- Versión completa
-
General4.5 out of 5 stars 44
-
Narración:4.5 out of 5 stars 35
-
Historia4.5 out of 5 stars 35
On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson elevated its importance.
-
5 out of 5 stars
-
Great Show to Start Of With
- De Charles A. Prince, Jr en 06-17-21
De: Peter Conners
-
Deal
- My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead
- De: Bill Kreutzmann, Benjy Eisen
- Narrado por: Peter Berkrot
- Duración: 13 h y 5 m
- Versión completa
-
General4.5 out of 5 stars 581
-
Narración:4 out of 5 stars 518
-
Historia4.5 out of 5 stars 516
On their 50th anniversary comes a groundbreaking rock-and-roll memoir by one of the founding members of the Grateful Dead. The Grateful Dead are perhaps the most legendary American rock band of all time. For 30 years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways.
-
3 out of 5 stars
-
Decent but not great
- De Monty S en 03-02-16
De: Bill Kreutzmann, y otros
-
Dancing with the Dead
- My Good Old Days with the Grateful Dead & the San Francisco Music Scene 1964-1974
- De: Rosie McGee
- Narrado por: Rosie McGee
- Duración: 6 h y 22 m
- Versión completa
-
General4.5 out of 5 stars 48
-
Narración:4.5 out of 5 stars 43
-
Historia4.5 out of 5 stars 43
Photographer and Grateful Dead insider Rosie McGee narrates her memoir, telling dozens of previously-untold stories of living, traveling and working with the Dead during their first decade as a band. Not just for Deadheads or baby boomers - this audiobook is for anyone seeking a woman's intimate account of the San Francisco rock music community in the Sixties, rare in a field of such books most often written by men.
-
5 out of 5 stars
-
rare facts and experiences
- De Fireweed en 01-10-25
De: Rosie McGee
-
Bear
- The Life and Times of Augustus Owsley Stanley III
- De: Robert Greenfield
- Narrado por: Sean Runnette
- Duración: 6 h y 10 m
- Versión completa
-
General4.5 out of 5 stars 242
-
Narración:4.5 out of 5 stars 203
-
Historia4.5 out of 5 stars 205
The creator of the dancing bear logo and designer of the Wall of Sound for the Grateful Dead, Augustus Owsley Stanley III, better known by his nickname, Bear, was one of the most iconic figures in the cultural revolution that changed both America and the world during the 1960s. Owsley's high octane rocket fuel enabled Ken Kesey and his Merry Pranksters to put on the Acid Tests. It also powered much of what happened on stage at Monterey Pop.
-
5 out of 5 stars
-
wow
- De Brian Harnois en 10-12-20
-
Searching for the Sound
- My Life with the Grateful Dead
- De: Phil Lesh
- Narrado por: Phil Lesh
- Duración: 5 h y 33 m
- Versión resumida
-
General4.5 out of 5 stars 589
-
Narración:5 out of 5 stars 440
-
Historia5 out of 5 stars 438
Phil Lesh first met Jerry Garcia in 1959 in the clubs of Palo Alto, California. At Garcia's suggestion, Lesh learned to play the electric bass and joined him in a new group that blended R&B, country, and rock 'n' roll with an experimental fervor never before heard.
-
5 out of 5 stars
-
Searching for the Sound
- De Brad Zerkel en 04-29-05
De: Phil Lesh
-
All the Years Combine
- The Grateful Dead in Fifty Shows
- De: Ray Robertson
- Narrado por: Christopher Grove
- Duración: 6 h y 59 m
- Versión completa
-
General0 out of 5 stars 0
-
Narración:0 out of 5 stars 0
-
Historia0 out of 5 stars 0
In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant-and what they continue to mean.
De: Ray Robertson
-
Cornell '77
- The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall
- De: Peter Conners
- Narrado por: Johnny Heller
- Duración: 5 h y 2 m
- Versión completa
-
General4.5 out of 5 stars 44
-
Narración:4.5 out of 5 stars 35
-
Historia4.5 out of 5 stars 35
On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson elevated its importance.
-
5 out of 5 stars
-
Great Show to Start Of With
- De Charles A. Prince, Jr en 06-17-21
De: Peter Conners
-
Deal
- My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead
- De: Bill Kreutzmann, Benjy Eisen
- Narrado por: Peter Berkrot
- Duración: 13 h y 5 m
- Versión completa
-
General4.5 out of 5 stars 581
-
Narración:4 out of 5 stars 518
-
Historia4.5 out of 5 stars 516
On their 50th anniversary comes a groundbreaking rock-and-roll memoir by one of the founding members of the Grateful Dead. The Grateful Dead are perhaps the most legendary American rock band of all time. For 30 years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways.
-
3 out of 5 stars
-
Decent but not great
- De Monty S en 03-02-16
De: Bill Kreutzmann, y otros
-
Dancing with the Dead
- My Good Old Days with the Grateful Dead & the San Francisco Music Scene 1964-1974
- De: Rosie McGee
- Narrado por: Rosie McGee
- Duración: 6 h y 22 m
- Versión completa
-
General4.5 out of 5 stars 48
-
Narración:4.5 out of 5 stars 43
-
Historia4.5 out of 5 stars 43
Photographer and Grateful Dead insider Rosie McGee narrates her memoir, telling dozens of previously-untold stories of living, traveling and working with the Dead during their first decade as a band. Not just for Deadheads or baby boomers - this audiobook is for anyone seeking a woman's intimate account of the San Francisco rock music community in the Sixties, rare in a field of such books most often written by men.
-
5 out of 5 stars
-
rare facts and experiences
- De Fireweed en 01-10-25
De: Rosie McGee