La escuela de las buenas madres
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La escuela de las buenas madres
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Aida Baida Gil
Acerca de esta escucha
Toda mujer tiene un mal día.
Frida Liu es una madre soltera de 39 años propensa a la ansiedad. En Filadelfia, donde vive, la denuncian por dejar a su hija sola durante un breve período de tiempo. Los Servicios de Protección Infantil del Estado, cada vez más empoderados, se llevan a su hija Harriet y ponen en vigilancia la casa de Frida. Después de una serie de visitas supervisadas, un juez considera que Frida no es apta como madre, temporalmente.
Su única esperanza es seguir compartiendo la custodia de Harriet con su ex (y la cariñosa novia de él) y aprobar los exámenes impuestos por el nuevo y preciado programa gubernamental. Se trata de un programa interno de doce meses, una escuela situada en un campus universitario abandonado, que ha de ayudar a Frida (ya otras malas madres de todo el país) a convertirse de nuevo en madres aptas. El Estado ha creado ayudantes e instructores que deberán ayudar a las madres in situ. Se trata de jóvenes programados para medir y registrar si las mujeres arrepentidas por su comportamiento sienten una profunda devoción hacia sus hijos. Estos ayudantes se convertirán en algo muy parecido a sus hijos.
Frida y otras mujeres viven en esta escuela durante un año indigno. Un año en el que Frida oscilará de la obstinada esperanza al dolor en medio de un constante adoctrinamiento. A pesar del afecto que empieza a sentir por su "ayudante", Frida no está segura de poder sobrevivir. Otras madres no han sobrevivido. Sin embargo, Frida está decidida a reunirse nuevamente con Harriet, para recordarle a su hija el valor de su amor imperfecto, al margen de si el Estado la considera una buena madre o no.
Jessamine Chan es licenciada en Bellas Artes por la Universidad de Columbia. Sus relatos han aparecido en Tin House y Epoch. En 2017 recibió una beca de la Fundación Elizabeth George para escribir esta novela. También ha tenido apoyo del Breaf Loaf, la Fundación Wurlitzer, Jentel, el Centro Kimmel Harding Nelson, el Centro Anderson y Ragdale. Antes de mudarse a Filadelfia, donde vive con su esposo y su hija, trabajó como editora de no-ficción en Publishers Weekly.
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