If Men, Then
Poems
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If Men, Then
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Narrado por:
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Eliza Griswold
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De:
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Eliza Griswold
Acerca de esta escucha
A darkly humorous new collection of poems by the Pulitzer Prize-winning journalist and author of Wideawake Field and Amity and Prosperity
If Men, Then, Eliza Griswold's second poetry collection, charts a radical spiritual journey through catastrophe. Griswold's language is forthright and intimate as she steers between the chaos of a tumultuous inner world and an external landscape littered with SUVs, CBD oil, and go bags, talismans of our time. Alternately searing and hopeful, funny and fraught, the poems explore the world's fracturing through the collapse of the ego, embodied in a character named "I" - a soul attempting to wrestle with itself in the face of an unfolding tragedy.
"Griswold narrates with a strong voice and moderate pacing. 'What can we offer the child at the border,' she begins with her poem Prayer. Then she continues with her other pieces about race, immigration, and spirituality." (BookRiot)
©2020 Eliza Griswold (P)2020 Macmillan AudioLos oyentes también disfrutaron...
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fairy tales updated for the modern adult set
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Everyone has heard of the Gameshouse. But few know all its secrets.... It is the place where fortunes can be made and lost through chess, backgammon - every game under the sun. But those whom fortune favors may be invited to compete in the higher league...a league where the games played are of politics and empires, of economics and kings. It is a league where Capture the Castle involves real castles, where hide and seek takes place on the scale of a continent.
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PLAYERS, PIECES, PAWNS DON'T MATTER. IT'S THE GAME
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Following the Equator
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Bound on a lecture trip around the world, Mark Twain turns his keen satiric eye to foreign lands in Following the Equator. This vivid chronicle of a sea voyage on the Pacific Ocean displays Twain's eye for the unusual, his wide-ranging curiosity, and his delight in embellishing the facts. Following the Equator is an evocative and highly unique American portrait of 19-century travel and customs.
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One of Mark Twain's least characteristic books
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The Moor's Last Sigh
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General4.5 out of 5 stars 78
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Narración:4.5 out of 5 stars 73
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Historia4.5 out of 5 stars 73
Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes "Moor" Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile.
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3 out of 5 stars
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The performance is enchanting.
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De: Salman Rushdie
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Shalimar the Clown
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General4 out of 5 stars 575
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Historia4 out of 5 stars 241
When Maximilian Ophuls is murdered outside his daughter's home by his Kashmiri Muslim driver, it appears to be a political killing. Ophuls is the former U.S. ambassador to India and America's leading figure in counter-terrorism. But there is much more to Ophuls and his assassin, a mysterious man calling himself "Shalimar the Clown", than meets the eye. One woman is at the center of their shared history, a history of betrayal and deception.
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5 out of 5 stars
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Incredible
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De: Salman Rushdie
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Defending Boyhood
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General4.5 out of 5 stars 53
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Narración:4 out of 5 stars 47
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Historia4.5 out of 5 stars 47
Western civilization has no more eloquent defender than Anthony Esolen, a man who has counted the cost, and paid it, of leading the way in that defense. Following on his compelling prior volume, Defending Marriage: Twelve Arguments for Sanity, Professor Esolen returns, this time in defense of boys and an experience of boyhood that is on the wane, if not extinguished in many quarters of the modern world.
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5 out of 5 stars
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Give boys a purpose
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Leaves of Grass
- De: Walt Whitman
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General4 out of 5 stars 93
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Narración:4.5 out of 5 stars 78
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Historia4.5 out of 5 stars 74
Walt Whitman's celebrated poetry collection, read by Ed Begley.
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2 out of 5 stars
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It is NOT unabridged.
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De: Walt Whitman
Reseñas de la Crítica
"Griswold has taken the Whitmanesque 'I' - 'I' as everyone - and made it unmistakably singular.... Though the sequence nods to the surreal and the psychological - Rimbaud's 'Je est un autre' - there are also echoes of John Berryman and Sylvia Plath, poets closer to home whose self-awareness was enacted on the page in the form of characters, masks, new selves...wry and intimate, sophisticated and all [Griswold's] own - imagining the adventure that is being." (Kevin Young, The New Yorker)
"This second poetry collection from Griswold is profoundly of its moment (just look at the CBD oil references), but its language feels somehow eternal." (Emma Specter, Vogue)
"[Griswold] writes poems so emotionally charged they seem on the verge of spilling over...palpable and provocative poems that can be appreciated by broad audience." (Karla Huston, Library Journal)