
Homage to Catalonia
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Narrado por:
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Frederick Davidson
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De:
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George Orwell
Acerca de esta escucha
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Featured Article: 40+ Thought-Provoking George Orwell Quotes
George Orwell transformed literature with his piercing social commentary and allegorical style. His works have become so entrenched in popular culture that the term "Orwellian" is used to describe totalitarian and authoritarian societies. Orwell also wrote nonfiction books and essays that similarly express his gift for satire and controversial views on government. Throughout his writing career, he never feared tackling challenging topics, no matter how subversive.
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Colonial politics in Kyauktada, India, in the 1920s, come to a head when the European Club, previously for whites only, is ordered to elect one token native member. The deeply racist members do their best to manipulate the situation, resulting in the loss not only of reputations but of lives. Amid this cynical setting, timber merchant James Flory, a Brit with a genuine appreciation for the native people and culture, stands as a bridge between the warring factions. But he has trouble acting on his feelings, and the significance of his vote, both social and political, weighs on him.
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General
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Orwell's own experiences inspire this semi-autobiographical novel about a man living in Paris in the early 1930s without a penny. The narrator's poverty brings him into contact with strange incidents and characters, which he manages to chronicle with great sensitivity and graphic power. The latter half of the book takes the English narrator to his home city, London, where the world of poverty is different in externals only.
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The King of Boldness, Clearness, and Audacity
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General
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Narración:
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Historia
When Orwell went to England in the 30's to find out how industrial workers lived, he not only observed but shared in their experiences. He stayed in cramped, dreary lodgings and subsisted on the scant, cheerless diet of the poor. He went down into the coal mines and walked crouching, as the miners did, through a one- to three-mile passage too low to stand up in. He watched the back-breaking, dangerous labor of men whose net pay then averaged $575 a year.
-
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George Orwell's classic account of his experiences during the Spanish Civil War, dramatised for radio by Mike Walker. Produced by Kate McAll.
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Colonial politics in Kyauktada, India, in the 1920s, come to a head when the European Club, previously for whites only, is ordered to elect one token native member. The deeply racist members do their best to manipulate the situation, resulting in the loss not only of reputations but of lives. Amid this cynical setting, timber merchant James Flory, a Brit with a genuine appreciation for the native people and culture, stands as a bridge between the warring factions. But he has trouble acting on his feelings, and the significance of his vote, both social and political, weighs on him.
-
-
A Sad, Fierce and Ambitious Colonial Novel
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De: George Orwell
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Coming up for Air
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- Narrado por: Richard Brown
- Duración: 8 h y 24 m
- Versión completa
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General
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Narración:
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Historia
George Bowling, an insurance salesman, hits middle age and feels impelled to “come up for air” from his life of quiet desperation. With seventeen pounds he has won at a race, he steals a vacation from his wife and family and pays a visit to Lower Binfield, the village where he grew up, to fish for carp in a pool he remembers from thirty years before. But the pool is gone, Lower Binfield has changed beyond recognition, and the principal event of Bowling’s holiday is an accidental bombing by the RAF.
-
-
Orwell Flirts and Fishes w/ Nostalgia & Modernity.
- De Darwin8u en 07-10-12
De: George Orwell
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Essays
- De: George Orwell
- Narrado por: Alex Hyde-White
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General
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Narración:
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With great originality and wit, Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defense of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell’s essays created a unique literary manner from the process of thinking aloud and continue to challenge, move, and entertain.
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Looking Back on the Spanish War contains George Orwell's reminiscences of the sights, smells and politics of the Spanish Civil War (1936-39) in which he almost lost his life.
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Viewed as too libelous to print in England until 1968, the title essay in this collection reveals the abuse Orwell experienced as a child at an expensive and snobbish boarding school and offers insights into his lifelong concern for the oppressed. "Why I Write" describes Orwell's sense of political purpose, and the classic essay "Politics and the English Language" insists on clarity and precision in communication in order to avoid the Newspeak later described in 1984.
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Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life.
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Politics and the English Language: And Other Essays
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Biographer Michael Shelden called Orwell’s Politics and the English Language “his most important essay on style”. First published in 1946, the essay exploded the language trends of the time and served as an inflection point in the debate about communication in the 20th century. This collection of essays published 1946-48 provides a comprehensive critique of the status of politics and speech in the mid-century.
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Robotic annunciation. Slow, struggling narration
- De tom stepien en 09-17-22
De: George Orwell
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A Clergyman's Daughter
- De: George Orwell
- Narrado por: Richard Brown
- Duración: 10 h y 17 m
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Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity.
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Bottom-Shelf Orwell, but still G-D Orwell
- De Darwin8u en 08-11-19
De: George Orwell
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Good-Bye to All That
- An Autobiography
- De: Robert Graves
- Narrado por: Joel Schrank
- Duración: 11 h y 56 m
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"Good-Bye to All That: An Autobiography" by Robert Graves is a seminal work that vividly captures the harrowing experiences of a young British officer during World War I.
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American Narrator for a British Autobiography?
- De Si Lambert en 03-30-25
De: Robert Graves
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Homenaje a Cataluña [Homage to Catalonia]
- De: George Orwell
- Narrado por: Alfons Vallés
- Duración: 8 h y 39 m
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Homenaje a Cataluña es un libro admirado por autores de toda época y condición, desde Connolly o Trilling hasta Javier Cercas, Antony Beevor o Mario Vargas Llosa, que llegó en los años sesenta a Barcelona con esta obra bajo el brazo. Con esta edición conmemorativa que incluye un cuadernillo de fotografías, alguna de ellas inéditas, recuperamos un texto clave sobre la guerra de España, que sirvió de ensayo general a la Segunda Guerra Mundial, y que recoge la experiencia personal de George Orwell.
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Extraordinario
- De Ismael Pena Sarmiento en 05-09-19
De: George Orwell
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Orwell: The Essays
- De: George Orwell
- Narrado por: Peter Noble
- Duración: 10 h y 45 m
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A wide-ranging selection of George Orwell's essays, written in the clear-eyed, passionate and uncompromising style that has earned him a reputation as one of Britain's greatest writers.
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He understood the times
- De Wes en 08-19-23
De: George Orwell
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Classic Dystopias: A BBC Radio Drama Collection
- The Time Machine, We, The Trial, Brave New World, Nineteen Eighty-Four, The Chrysalids
- De: H. G. Wells, Yevgeni Zamyatin, Franz Kafka, y otros
- Narrado por: Robert Glenister, Anton Lesser, Don Warrington, y otros
- Duración: 10 h y 43 m
- Grabación Original
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Full-cast dramatisations of six masterpieces from the founding fathers of dystopian fiction. Dark and disturbing, provocative and prescient, dystopian literature has long captured our imagination with its nightmarish visions of forbidding future worlds. Included here are six classic novels of time-travel, totalitarianism and terror, written by some of the masters of speculative fiction and adapted for radio with all-star casts.
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The BBC DRAMA NEVER FAILS
- De Nati Yakobovich en 10-01-23
De: H. G. Wells, y otros
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Catalonia
- The History and Legacy of Spain’s Most Famous Autonomous Community
- De: Charles River Editors
- Narrado por: Colin Fluxman
- Duración: 1 h y 48 m
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Set in the northeastern corner of Spain and nestled next to France is the autonomous region of Catalonia. More than seeing themselves as Spaniards, Catalonian people see themselves as Catalan first and foremost, and they all are natively fluent in the language, Catalan. After a tumultuous history during which it bounced back and forth in terms of its political status and relationship to Spain’s central government, Catalonia was granted its autonomy on December 18, 1979. In 2006, it came close to acquiring its total independence, but that status is still being hotly contested.
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They've come a long way round
- De MolllyT en 07-11-20
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Winter in Madrid
- De: C. J. Sansom
- Narrado por: Gordon Gordon
- Duración: 21 h y 55 m
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Winter in Madrid is set just after the bloody Spanish Civil War, with World War II looming over Europe. Reluctantly, Harry Brett looks for an old schoolmate who's become a person of interest for British intelligence.
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realistic characters in historical context
- De Annie en 10-04-09
De: C. J. Sansom
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Cathedral of the Sea
- De: Ildefonso Falcones
- Narrado por: Paul Michael
- Duración: 22 h y 55 m
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At last: The international best seller - which has already sold nearly 2 million copies worldwide - comes to America! Cathedral of the Sea follows the fortunes of the Estanyol family, from their peasant roots to a son, Arnau, who flees the land only to realize spectacular wealth and devastating problems.
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Very good historical novel.
- De Joseph en 01-31-10
Lo que los oyentes dicen sobre Homage to Catalonia
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- Gail Elliffe
- 02-16-18
Homage to Utopia
George Orwell paid homage to Catalonia in this journalistic book on the Spanish Civil War, but he paid homage to much more. Orwell, like many idealistic men and women of his generation, gave up comfort and security to fight for socialism, communism or republicanism against the proto-fascist Franco. The war, which heralded many crucial dilemmas, ran from 1936 to 1939, resulting in Generalissimo Franco’s victory.
One of those idealistic individuals was my high school history teacher, Peter Carver. He had fought with the Communists, been jailed for his trouble, and came away with a life-long abhorrence for communism in general, and “Uncle Joe” Stalin in particular. I read “Homage to Catalonia” as an act of homage to my influential teacher.
Mr. Carver, like George Orwell and Alexander Solzhenitsyn, managed I think to come away from bitter experiences with communism without bitterness of soul. Some part of the utopian dream that communism represented had touched his heart, and that openness remained.
“Homage to Catalonia” does not reveal Orwell as a mature political theorist, but as a man in process of understanding his experiences and attempting to put them in perspective. Likewise, “Gulag Archipelago” shows us Solzhenitsyn as a true believer, an intuitive follower of the party of Lenin, even after he is arrested on the western front. Surely there has been a mistake, he just needs to speak to the right person to have the whole horrible mess straightened out, so that he can continue to serve the Revolution, and in the process remove this disturbing cognitive dissonance.
Orwell presents the Spanish Civil War as a class conflict between the reactionary, would-be feudal, landowning families (and the Catholic Church) represented by Franco, and the Republicans who are a collection of modern bourgeois and working-class factions. He arrives in a Barcelona which has been revolutionized, in the hands of labor organizations such as the anarcho-syndicalists (CNT). This is as it should be for Orwell. Why pursue the modern slavery which is capitalism when the possibility of socialist revolution is within our grasp?
But this is the problem: the Russian Communists have entered the struggle against Franco but on the side of the bourgeoisie rather than the revolutionary socialists, and it is clear that the antifascistas will soon have to confront a contradiction.
Now this is not the kind of contradiction entertained by Marx’s historical materialism. Stalin has allied himself with France out of his fear of Germany. France has no interest in a revolutionary Spain, and one of Stalin's other great betrayals - Molotov-Ribbentrop - is still in the future. Solzhenitsyn might point out that Stalin's fear of Germany was certainly legitimate, given that he was in the process of gutting his own military in a series of bloody purges.
The Communist International’s policy becomes “support the interests of the Spanish middle class even if it means turning on the socialist revolutionaries”. And guess what: the military successes of the anarchists and the independent marxists meant they would soon be a threat to the bourgeois dominance of the Republican party.
While Peter Carver might have fought with the Communist units (I never asked him this most important question), George Orwell fought with the POUM, a faction of independent marxists in Catalonia and Zaragoza. At some point in mid 1937, the Republicans at Russian insistence began concocting stories about POUM betrayal, that they had been colluding with Franco. And the arrests began, leading Orwell and his wife to flee Spain in fear for their lives.
How naive was Orwell? Having escaped Spain, he put together this book of reportage within months, “Homage to Catalonia” hitting the shelves in 1938. He interspersed chapters of political analysis, apologizing to readers for all the acronyms, and suggesting they can skip these parts if it gets tiresome. This great journalist had come face to face with the biggest story of the 20th century - the perfidy of the CPSU, and it's betrayal of the working class and it's would-be intellectual representatives - and he is afraid of boring his readers with acronyms!
Of course, the division amongst the Republicans led to their failure against Franco. His Nationalists won the civil war, and Franco remained in power until his death in 1975. The Nationalist victory was still in the future when Orwell was writing in 1937, so we are not told what he thought about this catastrophe for the Spanish working class.
But naivete can be charming, and this is why Orwell is still relevant. After all, how do we respond to this great fact of history: the most powerful idealistic ideology has spawned the most murderous regimes the world has known?
Orwell felt no need to apologise for his revolutionary enthusiasm over Barcelona in December 1936, because he still saw socialism as the path to authentic human relations.
But Solzhenitsyn had reached a different point by the time he composed “The Gulag Archipelago”. He observed that evil is not “out there”, but that the dividing line between good and evil runs through every human heart. The spiritual path is that of attending to the “beam in our own eye” before any form of violence in the service of the ideal could ever be justified.
Trying to protect me from the leftists I would encounter on the Sydney University campus, Peter Carver had me read Karl Popper. I bought and devoured Popper’s two volume “The Open Society and It's Enemies” in 1979. The vaccination didn't work. I was still swept into Marx's orbit, first by the man himself, and then by the postmodernists and the critical theorists.
I was soon thoroughly sickened by not-really-post-marxists such as Adorno and Foucault. I might not have wanted to throw myself at the barricades, but barricades we're pretty hard to find in Sydney in the 1980s. The next best thing, as far as Satan was concerned, was for me to be caught up into a bubble of criticism of the status quo, which bubble severed me from real human relationships and real happiness.
I did attend a Socialist Workers Party meeting in which a visiting British professor assured us passionately that international finance capital (or whatever) was about to collapse of its own weight. But in the age of disco, Adorno’s critique of the culture industry seemed more to the point.
Mark Levin’s impressive “Ameritopia” makes a major mistake, in my opinion. You can't kill the utopian impulse, because it is written on the human heart. In my Bible, the Book of Revelation still plants seeds of hope for the future:
22 Then the angel showed me the river of the water of life, as clear as crystal, flowing from the throne of God and of the Lamb 2 down the middle of the great street of the city. On each side of the river stood the tree of life, bearing twelve crops of fruit, yielding its fruit every month. And the leaves of the tree are for the healing of the nations. 3 No longer will there be any curse. The throne of God and of the Lamb will be in the city, and his servants will serve him. 4 They will see his face, and his name will be on their foreheads. 5 There will be no more night. They will not need the light of a lamp or the light of the sun, for the Lord God will give them light. And they will reign for ever and ever.
Levin and my conservative brothers and sisters want us to surrender that hope, but it is not for us to surrender. Orwell's book is an homage to the human spirit he experienced in Barcelona and the battles he fought with the volunteer militias - who were woefully trained and armed yet defeated not by the fascists but by the Comintern. Utopia was negated by communists not by fascists because this was Satan's false version of utopia.
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- David F. Shine
- 03-08-21
Interesting firsthand account of the Spanish Civil
I wanted to know more about the Spanish Civil War, and I received more insight into it thanks to Orwell's "you are there" narration. I felt like I was in the trenches with him.
The only thing that irritated me was the narrator's mispronunciation of Spanish words and names. I didn't expect him to be fluent in the language, but he should have learned how to pronounce it.
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- Julia Tayon
- 12-30-20
Complicated Political &Tragic Political Alliamces
Orwell gives a clear and moving account of a people's movement tragically corrupted by political powers.
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- M. Waldon
- 01-06-15
A fascinating narrative!
I knew next to nothing of the Spanish Civil War, yet was fascinated by Orwelll's tale of his 1936/37 experience on the front lines and in Barcelona.
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- Karac Henderson
- 02-26-21
Exceptional
The story was exceptional and I love Orwell's humor. The narrator was pretty good, but some of the pronunciation of Spanish words was kind of strange. The accent was a little too posh for Orwell but still fit the story. I wonder what it would sound like with an American narrator. All in all, it's perfect for anyone trying to get an honest perspective of the Spanish Civil War from the POUM side. It's also quite comical at certain points. Before the political sections that one might find boring, Orwell warns the reader and says that he may skip.
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- Brice
- 10-17-21
Great Book
An interesting look at how fake news can shape your world. I'm sure Orwell spoke a bit better Spanish than the reader of his book.
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- Michael M.
- 09-02-23
A classic well read
Many previous reviewers complained about the distant and posh narration, but I found it perfect for Orwell’s style of carefully selected words, phrases, and paragraphs.
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- Tess_W
- 12-03-24
Least Favorite Orwell
I've read most of what Orwell has written, and this is my least favorite. I think it is because there are so many political parties, groups, and cities/areas of which I was unfamiliar that it just seemed so jumbled. This was Orwell's experiences during the Spanish Civil War, where he fought for the Republican (Socialist/Communist) side against Franco's Fascists. Interesting that he used the word Fascists and the history textbooks (at least in the US) use the word Nationalists to describe Franco's forces. Orwell spent a lot of time describing the in-fighting of the Republicans and what he finally saw as a betrayal by the same. He also addresses loyalty and the propaganda of the leftist press. The book ends with Orwell's escape from Barcelona into France when the POUM (Workers' Party of Marxist Unification) was suppressed.
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- Lauren
- 10-18-20
Good book, boring performance
Somehow the reader made a story about war exhausting to listen to. I’ve read the actual book, I’d recommend it over this audiobook
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- S. Oltman
- 11-19-21
Terrific Account of the Spanish Civil War
One of the best written things I have ever read/listened to. Irony, facts, humor and tragedy.
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