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Farándula [Celebrity]
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Narrado por:
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Rosa López
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De:
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Marta Sanz
Acerca de esta escucha
Valeria Falcón es una actriz de cierta notoriedad que cada jueves visita a una vieja gloria del teatro, Ana Urrutia. La Urrutia padece el síndrome de Diógenes y no tiene dónde caerse muerta. Su ocaso se solapa con la eclosión de un capullo en flor, Natalia de Miguel, una joven aspirante que enamora al cínico Lorenzo Lucas, el álter ego de Addison DeWitt. Nadie tendrá derecho a destrozar la felicidad de Natalia de Miguel, una chica muy delgada quien en pantalla da gordita. Por su parte, el ganador de la copa Volpi, Daniel Valls, confronta su éxito, su dinero y su glamour con la posibilidad de su compromiso político. A menudo, llega a una conclusión: "Soy un débil mental." Charlotte Saint-Clair, su esposa, lo cuida como una geisha y odia a Valeria, gran amiga de Daniel.
Un ictus, el montaje teatral de Eva al desnudo y la firma de un manifiesto descubrirán al oyente: Una historia sobre el miedo a perder un sitio. El sitio. Sobre la resistencia a la metamorfosis y la conveniencia - o no - de la metamorfosis. Sobre qué significa hoy ser reaccionario. Sobre los cambios de lenguaje que reflejan cambios en el mundo. Y sobre los cambios de lenguaje que no reflejan nada. Sobre las pompas de jabón, el desprestigio de la cultura y la posibilidad del arte de intervenir en la realidad. Sobre la devaluación de la imagen pública del artista. Y su precariedad. Sobre la contradicción entre glamour y compromiso. Sobre el público. Sobre el relevo generacional y el envejecimiento. Sobre la escritura como acto de mezquindad. Sobre los actores ricos que firman manifiestos y los actores pobres que no firman nada porque nadie los tiene en cuenta. Sobre la paradoja de que sólo cuando alguien es anónimo empieza a servir para algo en su comunidad. Sobre la caridad como mal y las galas de beneficencia como bucle reproductor de la injusticia. Sobre la predicación con el ejemplo. Sobre si se puede luchar contra el sistema desde el sistema. Sobre Angelina Jolie. Sobre la mise en abismo del teatro y el cine dentro del cine. Sobre la diferencia que existe entre decir "Es gente" o "Somos gente." Sobre el plural, el singular, y la utilidad de la audición. Marta Sanz es única y diferente. Utiliza la risa como herramienta de diagnóstico. Un vocabulario borde, divertido, triste, puntiagudo, y urgente: Es Farándula.
Please note: This audiobook is in Spanish.
©2015 Marta Sanz (P)2016 Audible, Inc.Relacionado con este tema
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