Carry the Dog

De: Stephanie Gangi

Narrado por: Cheryl Smith

“Powered by insight and true wit.” —Meg Wolitzer, New York Times bestselling author of The Female Persuasion

“I can’t remember the last time I was as completely bewitched by a fictional character as I was by Bea Seger . . . What a treat to view life through the eyes of this funny, smart, gutsy woman.” —Richard Russo, author of Empire Falls and Chances Are...

Bea Seger has spent a lifetime running from her childhood. The daughter of a famous photographer, she and her brothers were the subjects of an explosive series of images in the 1960s known as the Marx Nudes. Disturbing and provocative, the photographs shadowed the family long past the public outcry and media attention. Now, decades later, both the Museum of Modern Art and Hollywood have come calling, eager to cash in on Bea’s mother’s notoriety. Twice divorced from but still entangled with aging rock star Gary Going, Bea lives in Manhattan with her borrowed dog, Dory, and sort-of sister, Echo. After years of avoiding her past, Bea must make a choice: let the world in—and be compensated for the trauma of her childhood—or leave it all locked away in a storage unit forever.

Carry the Dog sweeps listeners into Bea’s world as the little girl in the photographs and the woman in the mirror meet at the blurry intersection of memory and truth, vulnerability and resilience.

©2021 Stephanie Gangi (P)2021 Algonquin Books

Reseñas de la Crítica

“A witty, startlingly astute dispatch from the societal graveyard of middle-aged women.”
—People

“Carry the Dog . . . takes up critiques of visual culture within a very personal context: a novel about aging and coming to terms with childhood trauma. By placing these conundrums inside the body of a 60-year-old woman experiencing a long-delayed coming of age, she speaks to the many women...who are going through this transition. It’s a deeply ironic moment . . . to perceive themselves, finally, as themselves, even as they are becoming invisible to the world that has fetishized them . . . When such a change is touched on in books or film, too often it’s a source of tragedy, even madness. Gangi, in refreshing contrast, argues that invisibility is freeing.” —Los Angeles Times

"There was something so authentic about this novel, and the awkward, earnest grace of the bright light at its center, Bea. It's a book about resilience, and the imperative of defining yourself to yourself, and a riveting reminder that nothing in this life is ever too late. I loved it." —Mary Beth Keane, New York Times bestselling author of Ask Again, Yes