John Dies at the End

John Dies at the End, Book 1

De: Jason Pargin, David Wong

John Dies at the End is a genre-bending, humorous account of two college drop-outs inadvertently charged with saving their small town—and the world—from a host of supernatural and paranormal invasions.

Now a Major Motion Picture.

"[Pargin] is like a mash-up of Douglas Adams and Stephen King... 'page-turner' is an understatement."
—Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep

STOP.

You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you.

My name is David. My best friend is John. Those names are fake. You might want to change yours.

You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye.

The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me.

The important thing is this:

The sauce is a drug, and it gives users a window into another dimension.

John and I never had the chance to say no.

You still do.

I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind:

None of this was my fault.

©2009 Jason Pargin, David Wong (P)2025 Macmillan Audio

Reseñas de la Crítica

“John Dies at the End…[is] a case of the author trying to depict actual, soul-sucking lunacy, and succeeding with flying colors.” —Fangoria

“[Jason Pargin] has managed to write that rarest of things---a genuinely scary story.” —David Wellington, author of Monster Island and Vampire Zero

“The rare genre novel that manages to keep its sense of humor strong without ever diminishing the scares.” —The Onion AV Club

“Sure to please the Fangoria set while appealing to a wider audience, the book's smart take on fear manages to tap into readers' existential dread on one page, then have them laughing the next.” —Publishers Weekly