
A Subversive Gospel
Flannery O'Connor and the Reimagining of Beauty, Goodness, and Truth
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Narrado por:
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Michael Mears Bruner
Conference on Christianity and Literature (CCL) 2020 Book of the Year - Literary Criticism.
The good news of Jesus Christ is a subversive gospel, and following Jesus is a subversive act. These notions were embodied in the literary work of American author Flannery O'Connor, whose writing was deeply informed by both her Southern context and her Christian faith. In this volume in IVP Academic's Studies in Theology and the Arts series, theologian Michael Bruner explores O'Connor's theological aesthetic and argues that she reveals what discipleship to Christ entails by subverting the traditional understandings of beauty, truth, and goodness through her fiction. In addition, Bruner challenges recent scholarship by exploring the little-known influence of Baron Friedrich von Hügel, a 20th-century Roman Catholic theologian, on her work. Bruner's study thus serves as a guide for those who enjoy reading O'Connor and - even more so - those who, like O'Connor herself, follow the subversive path of the crucified and risen one.
Download the accompanying reference guide.©2017 Michael Mears Bruner (P)2020 Oasis AudioListeners also enjoyed...




















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Excellent In-depth View of Flannery O'Connor
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Literary criticism
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Centering his study on Baron von Hugel's theological influence on Flannery O'Connor and using O'Connor's second novel, The Violent Bear it Away, as his primary case study, while connecting and comparing it with her other work, Michael Means Bruner unpacks O'Connor's "subversive gospel," and the allegorical, typological, and especially the anagogical reading of her work. Bruner relies heavily on O'Connor's own letters about her work as well as the sources she read that inspired her. He also engages contemporary scholarship on O'Connor. The result is a challenging theological perspective that equips the reader to be what O'Connor might call a "Catholic realist." The work does not ignore the role that the Protestant South played on O'Connor's Old Testament theological perspective.
Bruner explores O'Connor's subversion of transcendentals of "beauty, goodness, and truth," finding the offering of grace in the grotesque, the violent, and the foolish, otherwise stated as following embracing discipleship through the "bleeding, the stinking, and the mad." Never separating grace from nature, Bruner builds a case that O'Connor saw God's beauty as a "terrible" beauty, God's goodness as "violent" goodness, and God's truth as a "foolish" truth. The Christian life is costly for the Christian; the highest realities are expressed in the lowest forms, and at the center of our faith is a mystery.
Far from an escape from reality, Bruner's book and O'Connor's fiction will enable the discerning reader to enter more deeply and more meaningfully into it -- and get deeper meaning out of some of the most difficult and disturbing passages in the Bible.
Bruner's narration is lively and personable, like having a conversation with a scholar who is passionate about his work and who is able to make you passionate about it too. I especially appreciate the way he went "off script" (I think it was in the case study section) to describe the chart in his book that lays out his theo-literacy framework with which he approaches O'Connor's work.
Grace in the "Bleeding, Stinking, and the Foolish"
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