
桂文我 怪噺 十五
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桂 文我
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桂 文我
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スタジオ録音で「怪異談」を収録する作業は、毎月開催の猫間川寄席の会場となる、
玉造・さんくすホールで行われていますが、収録が深夜に及ぶことも多くあり、
録音作業の小野裕司氏の表情も鬼気迫り、背筋に冷たい物が走る時もありました。
ライブ録音とスタジオ録音では、雰囲気に大きな差があるだけに、
ライブ録音の方が臨場感があって良いと思われる方も多いでしょうが、
スタジオ録音の方が落ち着いて、細かく演じている場合も多いと言えましょう。
還暦も越えた昨今、頭の中にあるネタは、出来るだけ、録音して、残して行きたいと思っていますので、
ライブ録音でも、スタジオ録音でも、その場の怪異談を楽しんでいただければ、幸いです。
シリーズの中には、滑稽怪談や、細工の名人の不思議な話など入っていますが、
これも彩りの一つと捉えていただきますように…。
あなただけの耳に、心を込めた怪異談を流し込みますので、どうぞ、宜しくお付き合い下さいませ。
内容紹介
「のっぺらぼうのおじさん〔相馬公平原作〕」(19分)
相馬公平氏の「のっぺらぼうのおじさん」という、子ども向けのお話を落語に直してみましたが、
何方かと言えば、大人に聞いてもらいたい内容です。
「人類、皆、兄弟」という言葉が流行ったことがありましたが、「生き物、皆、兄弟」が一番良いでしょう。
「雉子坊主」(きじぼうず)(13分)
昔の仏教説話からユニークな話を採り出し、オチを付け、一席の落語に纏めました。
田舎の寺では、このようなことが本当にあったのでしょう。
厳しい修行を積んだ僧侶でも、 食欲には勝てないようで…。
「嗅鼻長兵衛(上)」(かぐはなちょうべえ・じょう)(34分)
二世曾呂利新左衛門(初代桂文之助)の速記で残る長編の冒頭は、上方落語の「狸賽」です。
この箇所を採り出し、桂米朝師が演じたこともありました。
東京落語の「狸賽」よりも内容が捻ってあるだけに、乞うご期待!
「嗅鼻長兵衛(下)」(かぐはなちょうべえ・げ)(57分)
ユニークな上方長編落語の主人公・長兵衛が、いよいよ本領を発揮します。
不思議な展 開の繰り返しの後、舞台が大坂から江戸に移り、万々歳となります。
しかし、長兵衛は運 の良い男ですね。©2022 Katsura Bunga
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