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If anyone could be considered a Russian counterpart to the infamous British double-agent Kim Philby, it was Oleg Gordievsky. The son of two KGB agents and the product of the best Soviet institutions, the savvy, sophisticated Gordievsky grew to see his nation's communism as both criminal and philistine. He took his first posting for Russian intelligence in 1968 and eventually became the Soviet Union's top man in London, but from 1973 on he was secretly working for MI6.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

Be the latest bachelor beast on an Earth reality television show to find his perfect mate or face certain death in an Atlan prison. Braun’s not sure which is worse...until a female enters his hotel suite with towels and cleaning supplies. She isn’t part of the television show. She isn’t available. She isn’t interested in mating with an alien. She isn’t his. Try telling that to his beast, because one look at the maid and Braun knows he will do anything...anything, to claim her.

Two cousins, devastated by a childhood prank, reunite 20 years later to renovate a castle in Eastern Europe. The fortress has a bloody history that stretches back hundreds of years. Amid extreme paranoia and eerie silence, the men reenact the signal event of their youth, with even more catastrophic results.

From best-selling author Anne Rice, writing as A.N. Roquleaure, in the traditional folktale of "Sleeping Beauty", the spell cast upon the lovely young princess and everyone in her castle can only be broken by the kiss of a prince. It is an ancient story, one that originally emerged from and still deeply disturbs the mind's unconscious. Now Anne Rice's retelling of the Beauty story probes the unspoken implications of this lush, suggestive tale by exploring its undeniable connection to sexual desire. Here the prince reawakens Beauty, not with a kiss, but with sexual initiation.

London, 1812. At a fashionable address in leafy Mayfair, a far cry from Detective Stephen Lavender’s usual haunts, a man is found dead in his room. He has been brutally stabbed, but the door is locked from the inside, and the weapon is missing. The deceased is David MacAdam, an Essex businessman with expensive tastes. As Lavender and Constable Ned Woods travel between London and Chelmsford seeking to understand MacAdam’s final hours and unearth the grisly truth, they uncover a tangled web of deceit behind his stylish facade.

What’s in a label? Are we the product of our upbringing or do we have a natural propensity towards good or evil? The eternal question of nature vs nurture is at the centre of Dr Diane Buckley’s world. A talented freelance forensic psychologist who has never quite found the key to engaging with people on a casual level, she is drafted in to examine a grisly murder – a body found in a children’s playground.

The day after a man’s body is found in a canal, former police chief Clint Wolf realizes he can’t stay away from law enforcement work forever. Ditching his paddle for a pistol, he rejoins the Mechant Loup Police Department, but this time as their chief investigator, and he works beside Police Chief Susan Wilson as they seek to solve the canal mystery. This first case back for Clint won’t be a walk in the park, but a blue truck and a single piece of paper might be the key to everything. Except the truck has seemingly vanished into thin air, and no one can find the piece of paper.

At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn’t the monster Conor’s been expecting - he’s been expecting the one from his nightmare, the nightmare he’s had nearly every night since his mother started her treatments. The monster in his backyard is different. It’s ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth.

On the big screen, Mia plays a woman in love. But in real life, she's an actress in need of a break from her real-life philandering husband - the megastar who plays her romantic interest in the movies. So she heads across the English Channel to hide in Paris behind a new haircut, fake eyeglasses, and a waitressing job at her best friend's restaurant.