Próximamente

In this book, Kyle and Mike aim to break down the most prolific gay stereotypes in popular discourse - drawing on personal experience, up-to-date research, social history and maybe even Wikipedia to demonstrate first-hand how we're all a mixture of gay and straight stereotypes. So - whether you're gay or not - you're probably gayish...

Connecting to Our Ancestral Past is a pragmatic, spiritual journey that introduces a variety of specific rituals and conversations in connection with Constellations work, an experiential process that explores one's history and powerful events of the past in order to understand and resolve problems of the present. Constellations facilitator and author Francesca Mason Boring presents this therapeutic method in the context of cultures like the Shoshone, of which she is a member, that have seen the world through a prism of interrelationships for millennia.

Managing the stresses of everyday life can be exhausting and overwhelming. Dr. Jennifer Caspari knows this struggle well—both through her work as a clinical psychologist and her lived experience as a disabled woman with cerebral palsy. You Are More Than Your Body weaves together clinical expertise, personal stories, and practical, evidence-based tools to help listeners with chronic health conditions better cope with pain, fatigue, depression, and the emotional vulnerability that comes with living in a world not designed for our bodies.

The Mental Health Guide for Cis and Trans Queer Guys offers you a safe, inclusive space to examine, understand, and heal from systemic and interpersonal threats to your mental well-being. Based on proven-effective cognitive behavioral therapy (CBT), this book provides proven-effective tools and exercises to help you reflect on, confront, and manage difficult emotions; improve self-image and self-esteem; and develop healthy coping skills.

At the hospital where Raymond Antrobus was born, a midwife snapped her fingers by his ears and gauged his response. It was his first hearing test, and he passed. For years, Antrobus lived as a deaf person in the hearing world, before he was diagnosed at the age of six. This in-betweenness was a space he would occupy in other areas of his life, too. The son of a Jamaican father and a white British mother, Antrobus grew up in East London, where, as a child, he was often told he wasn’t smart enough, wasn’t black enough, wasn’t deaf enough.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

Marcos Gonsalez found his greatest source of joy when he encountered queer theory in college. As they put it, "queers and college go together like peanut butter and jelly," and for them, this was especially true. Seeing himself reflected in the work José Esteban Muñoz was life-changing: Muñoz's theory of disidentification empowered Gonsalez to reclaim their Latinx and queer identities—and inspired him to push back against the largely-white monolith of queer theory.

New Mexico's Spanish legacy has informed the cultural traditions of one of the last states to join the union for more than four hundred years, or before the alluring capital of Santa Fe was founded in 1610. The fame the region gained from artist Georgia O'Keefe, writers Lew Wallace and D. H. Lawrence, and pistolero Billy the Kid has made New Mexico an international tourist destination.

「死んだ娘と生きた息子のどちらがいいですか？」子供を騙して性転換手術を迫り、親を脅すジェンダー専門家。人生をメチャクチャにされた人々の苦悩。

In Black History Is for Everyone, award-winning educator and scholar Brian Jones offers a meditation on the power of Black history, using his own experiences as a life-long learner and classroom teacher to question everything from the meaning of race and nation to the radicalism of the American Revolution.

Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life. In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines.