Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question....

Mma "Precious" Ramotswe sets up a detective agency in Botswana on the edge of the Kalahari Desert, making her the only female detective in the country. At first, cases are hard to come by. But eventually, troubled people come to Precious with a variety of concerns. Potentially philandering husbands, seemingly schizophrenic doctors, and a missing boy who may have been killed by witch doctors all compel Precious to roam about in her tiny van, searching for clues.

He’s the Man With No Name and the owner of No Alibis, a mystery bookshop in Belfast. But when a detective agency next door goes bust, the agency’s clients start calling into his shop asking him to solve their cases. It’s not as if there’s any danger involved. It’s an easy way to sell books to his gullible customers and Alison, the beautiful girl in the jewellery shop across the road, will surely be impressed. Except she’s not – because she can see the bigger picture.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

Case One: A little girl goes missing in the night. Case Two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case Three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.

Libby has a nice life with a great job, a gorgeous husband, and a big home by the sea. But she's becoming more unsure of Jack's feelings for her - and if he is over the mysterious death of Eve, his first wife. When fate intervenes in their relationship, Libby decides to find out all she can about the man she hastily married and the seemingly perfect Eve. Eventually Libby stumbles across some startling truths about Eve. As she begins to unearth devastating secrets, Libby becomes frightened that she too will end up like the first woman Jack loved...

Kate Reddy had it all: a nice home, two adorable kids, a good husband. Then her kids became teenagers (read: monsters). She's facing her 50th birthday; her mother and in-laws are in precarious health; and her husband is having a midlife crisis that leaves her desperate to restart her career after years away from the workplace. Kate is scrambling to keep all the balls in the air in a juggling act that an early review from the UK Express hailed as "sparkling, funny, and poignant...a triumphant return for Pearson."

A childhood accident robbed Vinnie of his memories, making him sensitive and anxious, and his difference soon attracted bullies. If it wasn’t for his family and his brother, Frank, Vinnie wouldn’t have survived. But as the boys grow up, and after the devastating loss of their parents, Vinnie finds himself increasingly involved in violent situations whenever he’s with Frank. When Vinnie is accused of a terrible crime and looks set for a long stretch behind bars, fragments of his memory start to return and he begins to unravel his past.

A missing schoolgirl is found buried in the Dublin Mountains, hands clasped together in prayer, two red ribbons in her hair. Twenty-four hours later, a second schoolgirl is found in a shallow grave - her body identically arranged. The hunt for the killer is on. The police call in criminal psychologist Kate Pearson to get inside the mind of the murderer before he strikes again. But the more Kate discovers about the killings, the more it all feels terrifyingly familiar.

Walter has a rubbish job, so has Margaret. But when they meet through a dating agency, neither is who they seem. Margaret's married for a start, and Walter's encounter with her husband, Billy, leaves him black and blue. Billy's a dodgy accountant for politician and racketeer Pink Harrison, who is about to come unstuck.

Author Wyatt Whitlock is one of the biggest names in action thrillers and writes for the largest publisher in the business. She’s extremely private and writes prolifically—well, until recently. Writer’s block may spell the end of her career if she can’t figure a way around it. A drastic change in scenery and a really old house in New Orleans could get her creativity going again, but renovating the house she bought on a whim might just kill her.

Mary Doyle arrives in Dublin in 1913, doomed, she fears, to a life of domestic service. Instead, however, she finds herself deeply affected by the social and political turmoil of a fledgling nation struggling for independence. Suddenly, all that was once inevitable is no longer a certainty as she is embroiled in the very heart of the Easter Rising.

Every day Iona, a larger-than-life magazine advice columnist, travels the ten stops from Hampton Court to Waterloo Station by train, accompanied by her dog, Lulu. Every day she sees the same people, whom she knows only by nickname: Impossibly-Pretty-Constant-Reader and Terribly-Lonely-Teenager. Of course, they never speak. Seasoned commuters never do. Then one morning, the man she calls Smart-But-Sexist-Manspreader chokes on a grape right in front of her. He’d have died were it not for the timely intervention of Sanjay, a nurse, who gives him the Heimlich maneuver.

A shy girl with no family, Maria knows she's lucky to have landed in the sewing room of the royal household. Before World War I casts its shadow, she catches the eye of the Prince of Wales, a glamorous and intense gentleman. But her life takes a far darker turn, and soon all she has left is a fantastical story about her time at Buckingham Palace. Decades later, Caroline Meadows discovers a beautiful quilt in her mother's attic.