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Having run into the bank to take out cash for her son's school fair, Angela Hawkins Crow is surprised to find herself in the middle of a hostage situation. The hostage-taker is none other than Billy Mendelson, a young man suffering after a violent armed robbery attack at his home. Angela has read about the crime but is mystified by his behavior, even as he hustles her into a vault with several others. Billy was a stellar student and so much more before the events of that fateful day. How can he subject others to such violence?

Piper Lowery, a public library clerk in charge of liaising with the local middle school, can tell right away there’s something strange about the new girl in eighth grade. Avery Wallace won’t touch any kind of technology, not even the computers at the library, and her mother comes to school with her every day, refusing to leave her side—not even when Avery uses the restroom. And then there are the rumors, the whispers Piper hears from kids in the hallway and parents around town: Avery’s mother is a witch. Her sister and father were killed by something supernatural. A strange virus killed them.

In Man, F*ck This House, Sabrina Haskins and her family have just moved into their dream home. At first glance, the house is perfect. But things aren’t what they seem. Sabrina’s hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina’s already-fraught relationship with her son is about to be tested in a way no parent could ever imagine. Because while the Haskins family might be the newest owners of this house, they’re far from its only residents …

Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live on the grounds—and together they begin to unpack the secrets of this place. As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew—and risk what she holds most dear.

The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes.

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he is still here, he watches his girlfriend, Hannah, lost in grief in the apartment they shared and begins to realize how much of her life was invisible to him. In the weeks and months before Max’s death, Hannah was haunted by the secrets she left Australia to escape. A relationship with Max seemed to offer the potential of a fresh new chapter, but the past refused to stay hidden.

Clara Woods is a killer—and perfectly fine with it, too. So what if she takes a couple of lives to make her own a little bit better? At the bottom of her garden is a flower bed, long overgrown, where her late husband rests in peace—or so she’s always thought. Then the girls arrive. Lily and Violet are her nieces, recently orphaned after their affluent parents died on an ill-fated anniversary trip. In accordance with their parents’ will, the sisters are to go to their closest relative—who happens to be Clara.

Unmoored by her husband’s death and suffering from writer’s block, novelist Saoirse White moves to Providence, and into the historic home of Sarah Helen Whitman, the nineteenth-century poet and spiritualist once courted by Edgar Allan Poe. Saoirse’s certain she’ll find inspiration in the quiet rooms, as well as in the tucked-away rose garden and forgotten cemetery at the back of the property.

Konstantin Duhovny is a haunted man. His father died when he was ten, and ghosts have been hovering around him ever since. Kostya can’t exactly see the ghosts, but he can taste their favorite foods. Flavors of meals he’s never eaten will flood his mouth, a sign that a spirit is present. Kostya has kept these aftertastes a secret for most of his life, but one night, he decides to act on what he’s tasting. And everything changes. Kostya discovers that he can reunite people with their deceased loved ones—at least for the length of time it takes them to eat a dish that he’s prepared.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

John’s House provides all he needs. Surrounded by a vast, beautiful ocean under a void of sky, the House is John’s haven. He is alone, but never lonely; he is here now, but neither remembers nor longs for a before. In his House, John is safe and untroubled. But then a terrible shadow creature breaks in—and it wants him out. Pushed from the House, John falls into the light… And finds himself in modern-day Los Angeles, the first person to ever come back from the other side.

In the summer of 1925, the winds of change are particularly chilling for a young woman whose life has suddenly become unbalanced. Devastated by her mother’s death and a cruel, broken engagement, Sadie Halloran learns that her great-aunt Marguerite, a renowned artist now in the throes of dementia, needs a live-in companion. Grasping at newfound purpose, Sadie leaves her desolate Kansas City boardinghouse for Blackberry Grange, Marguerite’s once-grand mansion sitting precariously atop an Arkansas bluff.

When cash-strapped single mum Callie visits the beautiful Cotswold village of Rowan Vale on a school trip with her daughter, she is enchanted. It's run as a living museum, with a steam railway, vintage teashop, Elizabethan manor house and old water mill allowing tourists to see history in action. But there's more to Rowan Vale than meets the eye... To Callie's surprise, the owner of the village, elderly Sir Lawrence Davenport, requests a meeting with her. It appears Callie has been observed talking to several villagers she shouldn’t be able to see - as they’re ghosts.

Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act.

When Beatrice’s husband Hugh returns from his excursion to the New World, he is not alone. Accompanying him are an unnamed pregnant woman, and an enormous painted globe. No one will explain who Hugh’s mysterious female house guest is. Meanwhile, Beatrice's resentment of the globe grows. To her, it represents a world that belongs entirely to her husband – a world where she will never belong. Then at night, the great hulking globe begins to turn. Terrifying new illustrations appear on its face – and when a chain of untimely deaths ensues, Beatrice is sure the drawings are connected.

Harriet York is not a Scrooge. She donates to the local toy drive, she helps deliver her neighbors’ packages when misplaced by their errant mailman, and her house looks like a Christmas fever dream. So, when Nolan, the Ghost of Christmas Past, appears in her living room ready to perform his holiday haunting, they’re both more than a little confused. As Nolan leads her through memories of Christmases past, everything feels wrong about his so-called mission. Nothing in Harriet’s past seems to hint at her need for a haunting.

Joni Lark wants to create the melodies that get stuck in your head…and your heart. Her hometown has always given her surf, sand, and inspiration. But when her parents decide to close the family music venue, Joni’s life begins to fall off key – she couldn’t possibly write another song. Until a melody comes to her, half-formed, and with an imagined voice that she can’t forget. But when the very real, very aggravating man behind the voice shows up in Vienna Shores – Joni can no longer deny their inexplicable telepathic connection.

It's New Year's Eve in Edinburgh when Emily sees Nicky. Or at least she thinks she does. He looks, laughs, and moves just like Nicky. But how can that be? Nicky died when they were teenagers, in an accident on a remote road up in the Highlands... didn't he? A week later, Emily sees the man again. He says his name Nicholas. This man not only looks like an adult version of her friend, but he also knows things that only Nicky should know. As her encounters with Nicholas become more frequent and her fixation intensifies, the truth becomes murkier, and more unsettling.

There is something peculiar about the hour after midnight. It is the time when darkness reigns. And strange things roam the earth. In this dazzling collection of new and original haunted tales, thirteen bestselling and much-loved authors bring this hour to vivid, spine-tingling life. So curl up, light a candle, and wait for the clocks to strike . . .

Elspeth Swansome wird dort als Kindermädchen für die kleine Mary eingestellt. Mary hat seit dem plötzlichen Tod ihres Zwillingsbruders William kein Wort mehr gesprochen. Und das Schweigen des Mädchens ist nicht das einzige Rätsel.