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Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.

Everett and Kincaid present a fictitious chronicle of South Carolina Senator Strom Thurmond's desire to pen a history of African Americans—his and his aides' belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, A History follows the letters of loose-cannon congressional office workers, insane interns at a large New York publishing house, and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Former correspondents E. and Henerey, accustomed to loving each other from afar, did not anticipate continuing their courtship in an enigmatic underwater city. When their journey through the Structure in E.'s garden strands them in a peculiar society preoccupied with the pleasures and perils of knowledge, E. and Henerey come to accept—and, more surprisingly still, embrace—the fact that they may never return home.

When I’m offered a spot in the best business incubator in the world, I jump at the chance. There’s one catch. I have to send letters to the mysterious billionaire who funds the program. It’s a world I don’t belong to. Luckily, I meet Javier Pendleton. He’s alluring, confident, and fits in with this crowd. We get close, dancing and watching fireworks together… Until it’s clear we both want more. He looks at my curves like he craves them, and his serious blue eyes and reluctant smile drive me wild. Soon I can’t hold back— But kissing him is a mistake.

Mary Bennet is the middlest middle child of all time. Awkward, plain, and overlooked, she’s long been out of favor not only with her own family but with generations of readers of Pride and Prejudice. But what was Mary really doing while her sisters were falling in love? Well, what does any bright, hardworking girl do in an age when brains and hard work are only valued if they come with a pretty face? Take to the attic and teach herself to reanimate the dead of course. The world refuses to make a place for peculiar Mary, but no Bennet sister ever gives up on happiness that easily.

Mira is a desperate young woman, hired by a wealthy single mother to tutor her lonesome son, Yuchan. But Mira is not who she presents herself to be; she is haunted by the death of her own family and motivated by the dark pulse of vengeance. Yuchan was cruel to Mira’s mother. A kind of cruelty she can’t ever forgive. And then there is Jiwon, the boy’s mother, a bad mother, Mira thinks—or so Jiwon tells herself she must not be. But as Mira spends more time in the family’s sprawling home, she begins to suspect Yuchan is not the culprit she’s after.

In her letters to family and friends we come to know the life of Sybil Van Antwerp: stubborn, cantankerous, opinionated, always steadfast in her belief in the power of the written word. But as the clock begins to tick for Sybil, the need for a few post-scripts to the life she’s led becomes apparent. Fixing her difficult relationship with her children. Taking a final chance at romance. Atoning for an old legal case which has come back to haunt her. And finally, reckoning with a devastating loss that she has spent the last thirty years holding close to her chest.